Posts Tagged ‘Spawn’

Introduction => 96-08-16&17&18 Hardcore, The Next Generation

Since I (Brob) was rather disgusted with and had commented on the increasing commercialism, violent/sexist/homophobic attitudes, I spent most of the time I was there (for my literature-distribution) talking to fellow “PC emo-morons who stop everyone from having a good time” (as mentioned in the Hate 8000 Zine) in the courtyard and therefore hardly saw any of the bands, I reprint a review I found on the internet:

>>They had entitled this fest ‘Hardcore; the new generation’, as far as I’m concerned I would have rather called it ‘Hardcore the last generation’ or better yet ‘The demise of the Belgian scene’. It started early on Friday with ‘Firestone’: heavy metal from da neighborhood or something. Then I think it was ‘Facedown’, quite a good surprise, powerful emo-ish metal with quite a few things to say. ‘Vitality’: can’t rermember so I guess it was heavy metal or maybe even death-metal from Belgium. ‘Outrage’: pretty good powerful emo-metal; I was disappointed they didn’t talk much between songs. ‘Victims Of Society’ might have been the best band of the day; raging old-school hardcore punk à la ‘Inkisiçao’; I talked to them a bit and it turned out their lyrics are not serious, just funny or weird. ‘Down For The Count’ from Spain were good modern style HC but the sound-quality wasn’t too hot unfortunately. ‘Liar’: at least the vocalist was honest when he said “If you think it’s too violent get out!”, ‘cause the crowd did act like a bunch of football-supporters. But I enjoyed it, it was very powerful death-metal. ‘Spawn’ disappointed me a bit: at first the sound-quality wasn’t that good, and the band acted like a bunch of musicians. No wonder they went from Crucial Response to New Age… I think they’ve split up now. Oh yeah, it was good old-school though. Late at night ‘Unborn’ came up with their powerful basic death-metal, I totally enjoyed it but the set was short!<<

Here’s what Helene K. of Subjugation recs wrote about this fest on her blog:

>>Alas things were a bit different when I returned to the Ieper festival in 1996 with my friend’s band ‘Unborn’…It was much bigger and people seemed to be more into the idea that the highest echelons of human connectivity was achieved through busting some karate-esque moves, pushing those who weren’t turned on by this to the back of the room, and I guess philosophically speaking out of the way and out of the door to find desultory solace back in the mainstream. This aggressive individualism was in stark contrast to the good humoured communal feeling at the earlier festivals. I have to confess I find all this muscle-flexing a bit dull. I find it executed in a more finessed and meaningful way on the football-terraces and in any northern town on a weekend, and the need for ‘unity’ in this context much more understandable than one where you just watch a band together. But I can be a bit slow to grasp some of the more deeper and progressive philosophical stances about the inter-relationships between people, community and society. But I have to admit it had an effect on me. Some guy in the pit hit me once too often so I punch him in the back of the head, and I offered him out for a fight, which alas he turned down. Funny now to think of Nick from ‘Unborn’ stepping in to separate us. I guess you can take a girl out of the north east, but never the north east out of her!<<

The “H8000 Press” (‘Ringmaster’ Nicholas Malfeyt) wrote about the different nationalities of the visiters, the various ‘crews’ (H8000, Suckcore, ODK, Rennes, Evil Blood, Ruhrpott Posse, UK Vegan Warriors, Roma SxE) and the fact that this was ‘The Year Of The Moshpit’… Interesting ;-).

‘Firestone’ was a H8000 (from Kortrijk, Belgium) metal band. This was probably their first appearance at the Vort’n Vis. Their later singer Iris Walgraeve explained the band’s history in the post on their 97-06-27 show: >>Early on it was Thomas Desimpelaere who sang, then Alexander [Baert?] (who played drums at first), than Pieter-Jan and than me. Mathieu Storms drummed (after Alexander). After him Vincent Tetaert played the drums. In the beginning Matthias Desimpelaere played guitar but in the end Ward Dufraimont replaced him [June ‘99]. Diederik Claes [bass] and Lennart Bossu [guitar; also ‘Liar’, later ‘Janez Detd’, ‘AmenRa’] were the only constant members I think.<< In August 1996 they recorded for their Dark Fantasies demo.

Also a first time for ‘Facedown’ (‘new-school’, metal-influenced, vegan SE-HC band from Kontich, near Antwerp): Thomas Baeken (bass), Youri Baeken (drums), Daniel Mies (vocals), Niko Poortmans (guitar) and Geert Ceuppens (guitar). The Ferket brothers (Evil Twin recs) released the Friendship Is Everything 7” (recorded at Studio 195 in July 1996; Bruno would re-release it – with some additional tracks – on Genet recs in 1997)… “Powerful, brutal, moshing emo-core”…

‘Facedown’, picture by Sergi E. Costa

‘Vitality’ was a “tough-guy edge-metal” band from Oostduinkerke (ODK; Belgian coast): ‘Chief’ Steve De Clercq (vocals), ‘Noptje De Mens’ Bob Van Lierde (guitar) & ‘Alien King’ Chris Paccou (guitar; nowadays sound-engineer for ‘Carcass’), Olivier ‘Ollie’ Dobbels (drums; also nick-named ‘Simon’ or ‘Original Gangster’) and ‘Switch’ Marc Paccou (bass). In their early days they did one show with Frederic ‘Fre’ Flameygh on drums (ex ‘Burning Fight’, DJ Flameboy see 92-02-22) and also Ilja (‘Congress) played a short while for them… They supposedly recorded a demo that year; and Hans ‘Liar’ released 2 7”s for them on his label Sober Mind: a split with ‘Sektor’ an one entitled Bloodline. In 1998 their Crucial Wires CD appeared on the French (from Rennes) label Overcome recs.

‘Vitality’, shot by Sergi E. Costa

‘ODK Crew’, also a band from Oostduinkerke, played a few songs unannounced. They played “Clevo style HC” and got quite some criticism for covering a song by ‘One Life Crew’ (with supposedly fascist inuendo)… The guys had some members of ‘Vitality’ (guitarist Bob Van Lierde & bassist Marc Paccou) and ‘Congress’ (drummer Ilja De Ceuleneire) in their ranks…

‘Outrage’ (friends from the Kempen area in Belgium) had already played the V.V. a few months before this (96-03-24). Sigi Loots (drums), Steven Van Goubergen (guitar), Ringo Van Dingenen (vocals) and Nico Peeters (bass). ‘Outrage’s had recorded their 1st 7”, Between Brackets (out on Nico’s Day One recs) in April ’96…

Nico ‘Outrage’ (photo by Philippe Tuffet)

‘Victims Of Society’ were a (pretty commercial) band playing old-school HC hailing from Heist-op-den-Berg (Belgium). They recorded the Screams From The Gutter demo at Labie’s Studio 195 that year and did a CD (Way Of Life) on Lost & Found (!) in 1997. They were: Davy Helsen (guitar), Dieter De Backer (drums), Hans Van Keilegom (guitar), Toon Severijns (bass) and Jim (vocals).

‘Down For The Count’, a new school sXe hardcore band from Madrid, were: Gonzalo Ávila (bass), David Fernández (drums), Conrado Isasa (guitar), Francisco Arroyo (Sanchez) (guitar) and Hugo Ortiz (vocals). They recorded for their tape entitled Reflections in April ‘96 (released by Víctimas Del Progreso – Crímenes De Estado).

‘Down For The Count’, photographed by Sergi E. Costa

‘Down For The Count’, courtesy of Jakub Dušek

I guess ‘Liar’ did one of their first shows with Bert Guillemont (also ‘Sektor’; replacing Raf) here since he’d just joined in June. Being locals they played the V.V. several times. The others were Hans Verbeke (vocals; also ‘Blindfold’, etc.), UxJx (bass; also ‘Congress’) and Joost ‘Josh’ Noyelle (guitar; also ‘Congress’). The line-up on the Invictus LP (1997, Genet recs). In August they did a 3 week tour in Europe together with ‘Blindfold’ and ‘Congress’…

‘Liar’, courtesy of Jakub Dušek

Apparently Bert tore down an anti-violenct dancing poster (“hung up by Spanish fruits”)… Trying to prove ‘Liar’s aggressiveness I guess… In the interview with ‘Sektor’ in Slaves Of Mainstream he describes how violend the crowd was during ‘Liar’s set (read below)…

Watch a bit of their set here: ‘Liar’ 96-08, Invictus line-up.

‘Spawn’ was an sXe HC band from the Ruhrpott area (Germany). They performed at the fest 2 years ealier, 94-08-19) played their last concert. After that they still released an album entitled Adrift on the US label New Age recs (’96) and a split-7” with ‘Despair’ (USA) on March Through recs (’97). The guys in the band were Dirk Zeiser (bass), René Natzel (drums), Daniel Frankowski (guitar), Patrick Uhle (guitar) and Chris Van Dornick (vocals).

‘Spawn’ (pics by Sergi E. Costa): 1  – Dirk Zeiser bass  (Andre Hoppe, Two Face distro + Stefan Grabowski, World Eaters distro; in the crowd); 3 – Daniel Frankowski (supported by Peter Hoeren)

‘Spawn’, courtesy of Jakub Dušek

‘Unborn’, courtesy of Jakub Dušek (1) & Sarah Van de Mosselaer (2-3)

On the back of the flyer of the 1996 festival in the 1in12 (Bradford, UK), ‘Unborn’ was announced as “modern straight-edge mixed with Slayer”… The band consisted of Nick Royles (vocals; ex ‘Sore Throat’, ‘No Way Out’, ‘Nailbomb’, ‘Ironside’, ‘Cracked Cop Skulls’; also How We Rock zine), Chris Meadows (drums; Clear Perception zine), Patrick ‘Rat’ Poole (guitar; ex ‘Cracked Cop Skulls’), James (guitar; ex ‘Neckbrace’) and Andy ‘Wrighty’ Wright (bass; ex ‘Ironside’; R.I.P.). At that time they had the Ancestral Pagan Roots 7” out on (Nick’s label) Sure Hand recs (recorded in February 1996).

Brob

It was kinda sad that there were so many labels with a commercial attitude and that so many people bought their records from them (Green Hell, GoodLife, …) That’s why I’m so happy that there were also people showing an alternative way…

Manuel Harand, Smart Cookies Collective, Vienna, Austria (personal communication Sep. ’96)

I was at the “Ieperfest” in ‘96 (and also in’97). I remember ‘96 very well indeed because it was such a special time, a great line-up and much fun for me and my travelling-party from Vienna. we were loads of people, all sleeping inside the Vort’n Vis too. I have quite a few photos: they’re all on film of course and but haven’t scanned them all yet, it’s a task to do all of that…

Daniel Eberharter, Eloquence zine (Vienna, Austria)

People were dancing very violently during ‘Liar’s set. It was very harsh. I saw people coming from everywhere. It was like 5 meter wall of kids laying on top of each other in front of the stage. People have marked ‘Liar’ as “pro-violence, satanic” band but that’s bullshit. ‘Liar’ started out as a side-project of ‘Congress’- and ‘Blindfold’-members. They wanted to play music influenced by aggressive metal. It’s not because we’re anti-religion that we’re satan-worshippers.

Bert Guillemont (‘Liar’ drummer since June ‘96) in Slaves Of Mainstream zine #2

I feel my most interesting V.V. memories are of my first visits – I’d been there with ‘Bob Tilton’ (95-12-03) and also came for the festival in 1996 when ‘Unborn’ played.

David Allen (later ‘Voorhees’ drummer)

source: anonymous (but not ‘Unborn’)

excerpts from the V.V. guestbook:

additions wellcome!…

 

Spawn logo

Congress logo

Kosjer D logo

Intro: 94-08-19&20&21 Hardcore Festival

see also: 94-08-19&20&21 Hardcore Festival * Italian impressions

‘Spawn’ was a sXe HC band from the Ruhrpott area (Germany) that arose from ‘Inner Circle’ in ’92 (see: 92-10-10). They recorded (Jan. ’94) for a split-7” with ‘Feeding The Fire’ (the bands had toured together in the summer of ’93) on Peter Hoeren’s Crucial Response recs. Before that (Aug. ’93) they’d been in the studio for their 1st 7” (that came out on Chris’ label Emblem recs) with ‘Melly’ Mel (Gauthier, Seen Not Heard zine from Toronto) doin’ backing-vocals. The band consisted of René Natzel (drums; In My Blood fanzine, also in ‘F.T.F.’), Patrick Uhle (guitar), Daniel Frankowski (guitar; Shattering The Silence zine), vocalist Chris(toph) van Dornick and bassist Dirk Zeiser. The tracks for the aforementioned split were done with their original bassist Holger. After this festival they went into the studio again to register for the Redone mini-album. They played at the V.V. again later on (96-08-16).

94-08-19 Spawn (by Massimo Mosc)94-08-19 Spawn' (by Massimo Mosc)94-08-19 Spawn‘Spawn’ (1&2 by Massimo Moscarelli; 3 ?, 4 by Frédéric Falzon)

‘Congress’ – Joost Noyelle (guitar), Ilja De Ceuleneire (drums), Jan ‘UJ’ Vandekerckhove (bass) & ‘Pitbull’ Pieter ‘Pierre’ Vanrumbeke (vocals) – were regulars at the V.V. by then. Don’t remember if Michael ‘Micha Soprano’ Pintelon (guitar) played here with them already. It was the period between the Euridium 7” and the band working on the Blackened Persistance [sic] LP.

‘Kosjer D’ started out as a 3-some (acoustic guitar, bass & drums) and then Arne Van Petegem (who was in a mainstream pop-band – ‘The Sideburns’ – before) joined. The name was originally ‘Kosjer Dill’ (nickname of the singer’s girlfriend, who was from San Diego). They were an emo band (with personal lyrics) hailing from Limburg (Belgium), with (besides Arne – guitar/vocals), Geert Plessers (guitar/vocals), Stijn Persoons (drums; ex ‘Dawn Of Liberty’) and a guy named Werner (bass – replaced by Kristien Hendrix a few months later, but she wasn’t on the first 7”). The band did some recordings and asked Bruno (Genet recs) to release them as a 7” (entitled True). People can read about how it came about in Reminder (the zine of ‘Blindfold’s Wim Vandekerckhove) #5… The band had played here the first time already a few months before this (94-05-22) and they would be back a few times more. Also when they became ‘Reiziger’…

There’s no indication in the Vort’n Vis notes that ‘Stormwatch’ from Germany (who were announced in the newsletter) actually played.

Brob

Actually this was the first show I played with ‘Spawn’. I still have pictures from that one… New Age recs also did a small teaser-flyer for our album using pictures from that show.

Dirk Zeiser, ‘Spawn’ bassplayer

additions wellcome!…

96-08-16&17&18 HC The Next generation (1st)

96-08-16&17&18 HC The Next generation (pre 2)pre-posters

96-08 HC fest

Right before this fest Stephane Boens (74-04-17 * 96-08-06) a.k.a. The Famous Vegan (a friend of some collaborators at the V.V.) passed away…

96-08 VV frontphoto: Roel Brals

This trend that had silently been creeping in during previous years (commercialism, violent/sexist/homophobic attitudes) got even more established here. Earlier in ’96, I had been isolated, denigrated and vilified because of my criticisms (by the H8000 buisnessmen and their disciples). For many I wasn’t wellcome but I tried to be one of the few who offered radical/political literature, and went over to explain to those who wanted to listen and support my few remaing friends. This here below shows there were also still a few people trying to get (part of the) message across…

96-08 VV fest in SxE Bulletin x (-)someone from The NL in Yann Boislève’s SxE Bulletin #20

96-08 anti Windmilling

96-08 H8000 Violence (Lenny Sektor)96-08 H8000 Violence (Lenny Sektor)'

96-08 Lost & Found anti-campaign (-)

It was the last time I attended… I refused to pay entrance and hardly saw any of the bands. I believe this was the programme (but some might have been added):

96-08-16: Firestone (Bel), Facedown (Bel), Vitality (Bel), Outrage (Bel), Victims Of Society (Bel), Down For The Count (Spa), Liar (Bel), Spawn (Ger), Unborn (UK)

96-08-17: Voices At The Front (Bel), Kindred (Bel), Sektor (Bel), Saidiwas (Swe), Regression (Bel), Timebomb (Ita), Burning Defeat (Ita), Congress (Bel), Racial Abuse (Öst), Despair (USA)

96-08-18: Spineless (Bel), Resist The Pain (Bel), Stampin’ Ground (UK), Vanilla (Fra), Approach To Concrete (Ger), Bruma (Ita), Separation (Swe), Swing Kids (USA), With Love (Ita)

the marketplace… :-(

96-08 VV koer met distros (by Karel Deweerdt)courtesy of Karel Deweerdt (Wim ‘Blindfold’ & UJ ‘Liar’ on the left)

96-08 stalls (by Joeri H)photo by Joeri Hoste (central: Eric Allen, Marco Walzel, Justin Pearson)

96-08 VV yard96-08 VV yard'

the international crowd… :-)

96-08 upstairs room''96-08 upstairs room'96-08 upstairs room96-08 Spanish invasion'

VV 96-08-xx - (book C) chiro (C) -even the local girl-scouts visited…

96-08-18 Vique Martin by Joeri H…and a little British kitten named Vique… (photo courtesy of Joeri Hoste)

photos by Sergi E. Costa (unless where otherwise mentioned)

There were people from all over but there was especially an Italian invasion… Quite a few bands from there played and some people who were in Italian bands that didn’t play also came over. One of them was Federico Oddone (ex ‘Maze’), the guitarist of ‘Sottopressione’ (from Milano). In that band he played together with ‘Diste’ Andrea Di Stefano (bass), ‘Kuku’ (drums; replaced Mauro Dossi ex ‘Crash Box’) and Mayo Maggiore (vocals). The band released a 7” through Mele Marce recs and 3 albums on Rudy Medea’s Vacation House recs. Federico wrote this entry in the guestbook:

Veganism was a big issue too… Animal Truth zine (by Cindy Frey & An Lehaen) a reference…

additions wellcome!…

94-08-19&20&21

94-08-19&20&21 extra94-08-19&20&21 extra back

The first weekend of September 1992 the Vort’n Vis organised what was then called Hardcore ’92. A festival with a mix of punky/crusty bands and straight-egde outfits. The same was intended in September 1993. I wrote about the incident that happened there… Although it was unfortunate, even reprehensible; for myself the motivation to try and bring all sorts of people together stayed. However other people made it so that the 2 ‘factions’ wouldn’t meet so easily anymore. In 1994 an SxE fest (weekend around half of August) and the Leed fest (half of September; the Vort’n Vis’ alternative to the city of Ieper’s mainstream Leet festival) were organised independent from one and other; and caused this ‘split’. One of the protagonists in the aforementioned incident (Hans Verbeke, ‘Blindfold’) obviously was reluctant to see the same thing happening again and set up (with good intentions, I’m sure) a “Positive Festival” – together with his sister Saskia (‘Shortsight’) and Rob Franssen (‘Feeding The Fire’).

This setting would over the years grow into a huge event (not unlike a lot of the commercial summer-festivals) and moved outside of the Vort’n Vis premises. Unfortunately (and that already was from the beginning), it turned out to be a market-place for big/commercial labels and distributions (local and others). I’ve never been able to see what the value of that was and I kept reacting against it. Having SxE and non-SxE friends I also wasn’t keen on the separation.

I wrote about it in a column that appeared in my friend Joeri Hoste’s zine Emotive Impulse (Sep. ’94):

>> We were all very excited about it for months. Myself not in the least; as it came closer it promised to be something wonderful, something that could last a week instead of a weekend. (…) After some shitwork, I wanted to start a bunch of conversations but unfortunately practically all ended up being quite short and superficial (…) consuming seemed like the most important thing again… (…) “I BUY, therfor I am” (actually this goes for the whole capitalist system – ergo: the HCpunk-scene is not so diffrent form the capitalist system nowadays, no?) (…) Another thing: no matter what we all say, there are distinct cliques in our scene. We all pretend they don’t exist but they do… I’m not talking about the obvious devide between SxE and ‘crustpunx’. Also within SxE (as within the crustpunx) there are micro-communities with their own rules, prescriptions, ‘incestuous’ behaviour, etc. How are you ever gonna evolve, learn,… when you never break out these micro-units. You don’t have to know everyone but at least look for different things once and a while; and on the other hand: allow others to get into your group of peers. I try to pick up things from various people, why restrain and stick to one groove? This scene we’re in, this subculture – again – is supposed to offer an alternative to the mainstream, the capitalist/patriarchic system. Let’s all work to create this. Don’t fool yourself and others. (…) <<

The newsletter of March that year started out with announcing a “3-day festival with ‘Scraps’, ‘Blindfold’, ‘Voorhees’, ‘Iconoclast’ and plenty more”. A few months later there was mention of 3 bands on Friday, ‘Blindfold’, ‘Refused’ & 5 or 6 more on Saturday, and ‘Iconoclast’, Scraps’ & ‘Voorhees’ on Sunday. And as you can see on the flyers that were made this expanded/changed gradually.

This is from the newsletter right before the festival:

VV newsletter 94-08 (-)

As far as I can remember this was the actual programme:

19 aug ’94: Spawn (Ger), Congress (Bel), Kosjer D (Bel)

20 aug ’94: Refused (Swe), Abhinanda (Swe), Fabric (UK), Blindfold (Bel), Shortsight (Bel), Acme (Ger), Backdraft (Nl), Nothing Left To Grasp (Ger)

21 aug ’94: Iconoclast (USA), Neckbrace (UK), Feeding The Fire (Nl), Hopeman Path (Bel), Undone (Fra)

Also got on the bill/played: ‘State Of Grace’ (Bel), ‘Vanilla’ (Fra), … But can’t remember which day… Pretty sure ‘Stormwatch’ (Ger) didn’t play.

‘Nations On Fire’ didn’t do a show. Also Steve W. tells me his band ‘Neuthrone’ didn’t play, ‘Scraps’ cancelled and ‘Voorhees’ didn’t show up (read 94-08 [Voorhees])…

Even though this fest attracted a lot of people, it still took place in the pub (and not in the ‘shed’). The distros had a lot of space in the courtyard… So did the people who wanted to ‘socialize’…

94-08-20 VV patio (by Miguel Angel Lorca)L corner: Stéphane Cormary, Ludovic Hache and Agnes (photo by Miguel Angel Lorca); the ‘Abhinanda’ crew on the R

Besides the bands I remember Vique ‘Simba’ Martin was there. So were Nicole ‘Upsi’ Vokrouhlik (from Augsburg) – who was doing a mailorder/label and organised a festival – and her boyfriend Daniel… Volker Pohlschmidt (‘Steadfast’) most likely… Marco Walzel (‘Nothing Left To Grasp’, Speak So That I May See You zine); some of the ‘Doughnuts’ girls signed the guestbook; Albert Cheong from Barcelona (Heartcore zine) took pics… Alan Davis who did Train Of Thought zine (Bristol) was there… Also Nick Royles (Sure Hand recs, How We Rock zine and various bands)… Miguel Angel Lorca from Madrid came over with a friend. My correspondent Amanda Trevens (guitarist of ‘Timmy’ & ‘Huasipungo’) who was helping out Neil Ribonson at Tribal War recs (actually an internship, studying ‘music technology’), and volunteering at ABC No Rio (all in NYC) was in Europe (actually toured with ‘Scraps’) and visited… Some French non-SxE people came over aswell (which was great): Ludovic Hache (Ras l’Bol zine) and Agnes, Karl & Steph (‘6 Feet Over’). And a hell of a lot more… Olivier Lacoste (‘Öpstand’ singer, Bordeaux)?

There were also some people that tried to get to the Vort’n Vis but didn’t make it (unfortunately)… In his zine J’Ai Le Regret A La Joie Mélé #4, Gérome Desmaison (guitarist of ‘Peu-Être’ / ‘Alcatraz’) describes how him and his friend Mickaël ‘Mike’ Ramounet (vocalist in the same bands) took of hitchhiking from Niort/Poitiers (France) to the Vort’n Vis but got stuck (spending the night in gasstation along the highway) before reaching the border, somewhere between Paris and Lille… They returned home but decided to rent a van the next time…

Brob

94-08-xx crowd + Wim Blindfold (by P Federli)audience (Wim ‘Blindfold’ centre); pic by Patrick Federli

I was at every ‘fest’ there in the 90s (I guess up until 2001) and all I can say, is that I always had the best of times. The first couple of times at the V.V. were the best. The yard, the stinky toilets, the little shop at the corner, playing football with the Swedish kids… The list is endless… Best of times and always the highlight of every summer!

Patrick Federli

We ended up at the Vort’n Vis because it was basically the place to be for red edge kids like us! ;-). I went from Marseille to Bordeaux to meet up with my mate Manu who was doing a red edge zine called Wolfpack. We took the train all the way to Ieper, that was a long fuckin’ ride! Ah ah and we sure didn’t regret it.

Frédéric Falzon

 

94-08-21 yard Sherry (Heath)photo courtesy of Heath Crosby (Sherry Beth Sacks in the background)

94-08-19&20&21 Marco WalzelMarco Walzel

see also: 94-08-19&20&21 Hardcore Festival * Italian impressions

additions wellcome!…

92-10-10 Man Lifting Banner - Feeding The Fire - Blindfold - Shortsight

One of the best shows I’ve been to at the V.V. Saskia [Verbeke; ‘Shortsight’ singer] set it up and I helped her. Great concert; with an amazing ‘M.L.B.’!

Rob Franssen, ‘Feeding The Fire’ singer

A year and a half before this one, Smurfpunx already co-organised a benefit for the Anti Fascist Front at Netwerk in Aalst (91-03-03) with ‘Seein’Red’ & ‘Man Lifting Banner’ so I was already acquainted with the latter. The Vandenberg bros (Paul & Olav, guitar & drums for ‘Seein’Red’ but also ‘M.L.B.) and Jos had been mates since I organised ‘Lärm’ gigs around here and interviewed them for my zine (Lärm interview Tilt! #3). I’d gotten to know bassplayer Burt (Griffioen) because of the stickers he did for ‘Lärm’ and the artwork in their Definite Choice zine. I’d exchanged some letters with singer Michiel aswell and I think I already had gotten to know Big at the time I was booking bands at the squatted ‘Bank’ in his hometown Apeldoorn (where he helped Marcel Schilpzand).

‘Feeding The Fire’ were already regulars at the V.V. aswell (91-12-21, 92-04-18, 92-09-05). There was a special connection between the Limburg pack and the H8000 crew… So it was obvious that Saskia’s band ‘Shortsight’ and her brother Hans’ band ‘Blindfold’ played aswell…

92-10-10 Feeding The Fire (René on drums) (Jase Fox) (-)‘F.T.F.’ pic courtesy of Jase Fox: Har(ald) Brosselt (guitar), Rob Franssen (vocals), René Natzel (drums), Illona Stephan (guitar)

92-10-10 FTF (JP Frijns)‘F.T.F.’ photo by Jean-Paul Frijns: Rob Franssen (vocals), Illona Stephan (guitar) & Roger ‘NBH’ (bass)

‘Inner Circle’ (no not the reggae band), a straight-edge band from Germany, were new to me. Rob Franssen tells me they were named ‘Spawn’ by then already. (They changed their name in ’92 but the guestbook still mentions ‘Inner Circle’ and they were still announced like that on the flyer…) ‘Spawn’ did a split 7” with ‘F.T.F’ on Peter Hoeren’s Crucial Response recs. René Natzel (drums), Patrick Uhle (guitar) and Daniel Frankowski (guitar) were also in ‘Spawn’ (with vocalist Chris Van Dornick and bassist Dirk Zeiser). Don’t know anymore who Mike and Holger (probably ‘Inner Circle’s bassist) were who signed the guestbook…

Brob Tilt

‘Inner Circle’ changed their name because of the silly reggae-band connection. They had a different vocalist than ‘Spawn’: Mike Krajewski. If he’s in the guestbook then he was most likely singing. I was at the show but I can’t remember the details. Christoph indeed replaced him later and Dirk Zeiser replaced Holger on bass.

Michael Müller, Counter Clockwise zine

Concerning ‘InnerXCircle’: there was Patrick Uhlemann on second guitar and myself on bass. The guy that replaced me later on was Dirk Zeiser, indeed. Great times!

Holger Andt

Tom De Pauw and myself were stagediving [and others] so much [see pics] that ‘M.L.B. were complaining/ criticizing us!

Vik Bulik

L.S.C., the Last Struggle Crew was a militant leftist, socialist, politically oriented group straight-edgers from various countries; hence also the name Red Edge. It was more a reaction to various op militant straight-edge groups, mainly in the US, that focussed purely on straight-edge. Straight-edge was of course also very important to us but it was a part of a bigger, politcal setting.

Har, ‘F.T.F.’ guitarist

In October, I took Ian [Simpson; Helene and him both ran the Darlington record-label] with me back [Helene had been here on 92-09-05 & 92-09-06] to Ieper to see ‘Man Lifting Banner’ play at the Vort’n Vis. We bumped into Nick Royles, who had also travelled over for the gig. Without the huge amounts of people travelling and sleeping over for the summer festival, this trip was a great opportunity to get more time to talk and hang out with new-found friends in Belgium and from Holland. Although I now wince a little at ‘M.L.B.’ stuff, the gig was really great. I remember myself, Saskia, Hazel and Mel (from Canada who was still over in Europe) all at the front together, screaming “Empire!”. Felt like quite a moment at the time, being up front with a small crew of women, a vivid contrast to standing at the side of gigs in the UK watching men do their pushing and shoving thing!

Helene Keller, Subjugation recs (subjugationrecords.wordpress.com)

‘Man Lifting Banner’ rocked the house… great show! Bart was drawing classic ‘Colt Turkey’ cartoons all the time. ‘Inner Circle’ (pre-‘Spawn’), ‘Feeding the Fire’, ‘Shortsight’ and ‘Blindfold’ were energetic too. In these days the European hardcore scene was blooming. Great memories.

Peter Hoeren, Crucial Response recs

‘Man Lifting Banner’ (photo by Karl Penando): Paul – Olav – Michiel – Burt – Big (spot Françoise ‘Hazel’ Lepers, Jeroen Lauwers, Tom Chapman, Rob Franssen, Jean-Paul Frijns,… in the crowd)

Tom De Pauw crowdsurfing during ‘Blindfold’s set (pic by Vik B.)

Jean-Paul Frijns crowdsurfing… (pic by ?; with Hans Verbeke, Jan Claus, Brob Tilt, etc. – & is that Willy Hiatus in front of the bar?)

excerpts from the V.V. guestbook:

additions wellcome!…