Posts Tagged ‘Separation’

Introduction => 96-08-16&17&18 Hardcore, The Next Generation

Since I (Brob) was rather disgusted with and had commented on the increasing commercialism, violent/sexist/homophobic attitudes, I spent most of the time I was there (for my literature-distribution) talking to fellow “PC emo-morons who stop everyone from having a good time” (as mentioned in the Hate 8000 Zine) in the courtyard and therefore hardly saw any of the bands, I reprint a review I found on the internet:

>>Last day already; it’s a pity so many people had to leave early, especially since it was the best of the 3 days! ‘Spineless’, just as their name suggests, played uneventful heavy metal. I can’t remember ‘Resist The Pain’ but I think it was just the same… ‘Stampin’ Ground (UK, ex ‘Neckbrace’) played good tight mosh-core. ‘Vanilla’ (France): I’ll never get into them, play boo-hoo style emo, but I think it got heavier than before. ‘Approach To Concrete’ were a good surprise, I thought they were on Lost&Found but I was wrong; they played very fast thrash-core with a couple moshy breaks, and they said many interesting things, I liked it a lot. ‘Bruma’ (Italy) were quite different from the other bands, they play ultra poppy punk with a female singer, I guess I kinda enjoyed it but it’s not the kind of music I’ld listen to all time long. ‘Separation’ were the best band of the fest (together with ‘Saidiwas’). They kicked ass! Just the right band to leave with a positive feeling. And positive was the word here: total old-school punk-ish HC; ‘7 Seconds’ and ‘Minor Threat’ covers, pogo-dance and stagedives all along hooray! I was disappointed by ‘Swing Kids’: I iked their 7” but they were way too emo here. OK, the drummer is good, but I got annoyed rapidly. And then ‘With Love’ (Italy) were added to the bill to close up the fest. Extremely powerful emo. Guess what: I enjoyed it, cool people, cool audience, cool music. Great! Just the kind of music I needed to hear before leaving all my friends… Conclusion: Basically none of the 30 bands that played said anything between songs, apart from “We have CDs for sale, they’re only 20$, it’s so damn cheap, you’ld have to pay 22$ if you’ld buy it from stores” or “We have DIY shirts for sale, we thought about a design and brought it ourselves to a multinational design-company who re-designed it, then we took the film and sent it to the printer ourselves and we chose the colour ourselves and when we got the shirts we sold half the copies ourselves (the other half going to bigger distribution, but we have to make sacrifices, ya know?) and we only charge 18$ each (plus taxes); man we’re so DIY, hardcore rules!”. The audience…well it’s either they kill each other during death-metal outfits or they stand still and apathetic during emo ones, there’s no middle ground. The only unity I could see was in the clothes style: they were ALL wearing baggy pants and chained wallets, how cool. The crowd was as dirty as ever. It’s so funny to see all those kids preaching out about respect for nature and our environment, and then when they leave the place it’s like there’s been a storm or something, it’s just filled with litter. But here again who cares? They’re not the ones who’re cleaning up… And tell me about greed and the consumist mentality of this society! Somenone brought some T-shirts next to my distribution-stall and the kids were literally walking over my zines in order to get the Victory shirt of their dreams. Ever saw kids slam-dance in front of a distro to get a bootleg 7”? We were not that far… Distributors? Well seems like no one had problems selling CDs for 16$ and EPs for 4$, but hey it’s a tough world and we all need to survive you know? Gotta save some money to keep the label going, and who’s gonna buy those baggy pants? Our parents are already paying for private schools and Marshall amplifiers, ya know?…. Anyway. Don’t wanna sound too negative here, I enjoyed the fest ’cause I met so many wonderful people, and Ieper is a very pleasant town too…<<

‘Spineless’ (from Kortrijk) played their first gig at the Vort’n Vis on this fest. They were Kristof Mondy (bass; Yoda zine; later ‘AmenRa’), Colin H. Van Eeckhout (vocals; later ‘AmenRa’), Pedro ‘Fifi’ Fioen (guitar; also ‘Congress’), Koen Sandra (guitar; replaced by Mathieu Vandekerckhove in ‘97; later ‘AmenRa’) and Stefaan Buyse (drums). They played brutal sXe H8000 metal-core. After their initial demo (’96) Hans ‘Liar’ Verbeke of Sober Mind recs would release the Painfields 7” (1997) and the A Talk Between Me And The Stars album (1998).

Local band ‘Resist The Pain’ had played the V.V. a few months before this (96-05-12). The band didn’t lat very long because the members joined/started other bands. The bassist Steve Noyelle became the guitarist of ‘Lifecycle’, guitarist Pedro ‘Fifi’ Fioen was also in ‘Spineless’ & ‘Congress’ (etc.), singer Vincent ‘Murph’ Merveillie appeared in later ‘Spirit Of Youth’ and drummer Jan Volckaert was also in ‘Lifecycle’.

The British ‘Stampin’ Ground’ was a HC/thrash-metal band (‘Slayer’-style riffs). They said they were influenced by bands like ‘Earth Crisis’, ‘Snapcase’ & ‘Inside Out’. They formed after ‘Decadence Within’ split up with 3 ex-members – Antony ‘Mobs’ Mowbray (guitar; ‘D.W.’s drummer), Richard ‘Rid’ White (drums; ‘D.W.’s singer) and Ian ‘Slug’ Glasper (bass) – teaming up with guitarist Scott Atkins and vocalist Paul Catten (ex ‘Medulla Nocte’). ‘Rid’ played on the first demo (Feb. ‘95). From the second demo on it was with Adrian ‘Ade’ Stokes (drums). Heath Crosby (vocals; later replaced by Adam of ‘Blood Oath’) sang after the 2 demos: Dawn Of Night 7” on Days Of Fury, Starved 7” on Too Damn Hype recs (from NY) and remastered these for a mini-CD on We Bite recs.

‘Stampin’ Ground’ (photographed by by Sergi E. Costa)

‘Stampin’ Ground’ – Ian ‘Slug’ Glasper (courtesy of Heath Crosby)

Vanilla’ had already played here a few times. The emo band from Paris put out their 7” (I Can’t Stop Hating This Empty Space) on Olivier Lépine’s label Laissez-Nous Jouer in 1995 (after an initial demo). On that record Jean Lebrun played bass and brothers Yann & Yves Maisonneuve (both ex ‘Ivich’), guitar and drums. Alain Vidal (also in ‘Symptom Of Isaac’ & ‘El Vidal Sonido’) joined them later. Bruno VdV released an untitled LP of them on Genet recs so they were invited back for this.

‘Vanilla’ (pictured by Sergi E. Costa)

‘Approach To Concrete’ (from Köln) consisted of Jörg Schickel (vocals), Jochen Almeida (drums), Thommy (guitar; he replaced Pablo who just played on the 7”) and Seppl (bass). Christian Valk (vocals; later ‘Six Reasons To Kill’) did 2nd guitars for a very short time during their tour with ‘Battery’. Not sure if he was in the line-up at the Vort’n Vis. They played fast, aggressive HC (and were not really a ‘full’ sXe band). There was a demo and in 1995 they did 2 releases on the Berliner label Mad Mob recs (I think ran by ‘Mad’ Marc, who did Mad Booking with his partner Ute Füsgen): the Drown 7” & the …Failures? CD.

‘Bruma’ was an emo-pop (some say “college rock”) band from Rome with Andrea Marra (‘Comrades’ bassist, nowadays singer of ‘Anti You’), ‘Orco’ Cristiano Fini (‘Comrades’/’Concrete’ guitarist), Valerio Borgianelli (drums) and a female singer (Eva Falomi). There was also a second guiatrist (‘Concrete’s singer Tommaso Garavini ?). They did a self-titled CD on Green recs (ran by Giulio Repetto; same label as ‘With Love’ & ‘Burning Defeat’; nowadays a record- and skate/clothing-store in Padova).

‘Bruma’ (photo by Patrick Federli) – front stage: Andrea Ferraris (‘Burning Defeat’ guitarist), Adriano Pratissoli (‘By All Means’ drummer), ‘Spino’ (bassist of ‘Mourn’), Giovanni Donadini (‘With Love’ bassist ), etc.

‘Separation’ was a Swedish straight-edge hardcore-punk band (from Umeå) with Axel Stattin (bass), Jonas Lyxzén (drums; ex ‘Abinanda’, later ‘Demon System 13’) and Lars Johan Strömberg (guitar/vocals). José Saxlund (‘Abhinanda’) did the vocals from 1994 to 1996; he wasn’t in the band anymore here – he only sang on the 5th Song CD (recorded Dec ’95 and released on his label Desperate Fight recs). The band came back tot the V.V. the next year (97-03-30)…

‘Separation’ (source ?)

John Brady (bass), Justin Pearson (vocals), José Palafox (drums) and Eric Allen (guitar) were the ‘Swing Kids’ (named after resisting youngsters in nazi Germany). They were from San Diego and played emotional HC. The latter 3 had been in ‘Struggle’. Eric Allen was also in the SxE band ‘Unbroken’; he took his own life in 1998. Justin was running the Three One G (31G) label, that released most of their material (a split-7” with ‘Spanakorzo’ in ’95); though their first 7” appeared on Kidney Room recs (’94). Justin’s new power-violence band ‘The Locust’ came over the next year (97-03-30). Roel Brals made a video available from the ‘Swing Kids’ show here. There’s mention of their gig here in Justin’s (first) book: “We had to play this fest in Belgium with tons of really bad bands…” and there’s also a ‘Swing Kids’ tour-report in the Swedish zine Handbook For The Revolutionaries (see additional post on ‘Swing Kids’).

‘Swing Kids’ – photos by Albert Cheong (1) & Patrick Federli (2+3)

Joris Willekens wrote in his zine Forkboy that ‘With Love’ played unannounced as the last band of the last day but “conquered” anyway, leaving the drum-kit and the stage “deconstructed”. They had a demo out (with another line-up), a split(live)-tape with ‘Concrete’ and a split-7” with ‘Mindless Collision’. “They fit anger and rage in a suit of emotional and tempestuous chaos.”. The band (hailing from the Triviso area) was: Paolo Riscica (guitar), Giovanni Donadini (bass), Nico Vascellari (vocals), Edo(ardo) Rossi (guitar) and Simone Gerardo (drums).

Peter Arthur Claesens, one of the “The Pit’s aficionados performing @ Vort’n Vis”, mentioned that he “once did a solo-act where I danced to the music of Bartok’s first concerto for piano, if I remember well… It was on a kind of international festival on a Sunday-afternoon; I believe it was a Straight-Edge concert.” There’s indeed a guestbook-entry of him on 96-08-18…

Brob

I might be wrong but I’m quite certain this was the first show ‘With Love’ played outside of Italy. We left Italy in a caravan my parents borrowed us (which we returned without a window – smashed it with my hand from the outside to scare one of the others that was sitting inside); somehow trying to convince ourselves that we were going on a European tour. As far as I remember the only show confirmed was in Cesena on the last day of the tour and then there was a show to be confirmed in Switzerland the day before. Basically we left hoping that we were going to convince Bruno to let us play the fest since our demo had gotten some good reviews. When we arrived at Vort’n Vis we were shocked. We’d never seen so many people at a HC show before. Boys and girls coming from all over Europe, tons of records and zines. It truly was an inspiring and motivating experience for us. I don’t remember much of the shows ‘cause we were mostly excited, spending time outside talking to people rather than attending shows. We tried to support all the Italian bands playing that year (I remember that ‘Burning Defeat’ delivered a very intense gig and so did ‘Timebomb’) and I have vivid memories of ‘SaidIWas’: their set was intense and they played a cover of ‘Born Against’ which was a favorite band of mine. Their drummer (that later became their singer) played naked. Bruno told us we could play if there was time left after the last band so we were finally announced by Justin of ‘Swing Kids’ (who were also memorable). We were so excited and so nervous to play that I think the shows exploded with energy and emotions. Stage and drum-kit were both broken. We tried our best to introduce some of the songs in our broken English. To these days this was one of the most memorable shows and experiences of ‘With Love’. After the show we left to continue our tour: ten days off before the show in Switzerland and the one in Cesena [Italy]. While going through my archives I’ve found images of ‘With Love’ doing this show at the Vort’n Vis…

Nico Vascellari

At that time ‘With Love’ had been playing for a year or so, and we had only a demo out and maybe the split 7” with ‘Mindless Collision’. I tried to organise some sort of ‘European tour’ using the contacts that Giulio from Green recs gave me. Obviously there was no internet and I tried to arrange some shows by mail and by telephone. We just wanted to have a holiday and tried to play somewhere. We ended up at the Vort’n Vis and immediately asked Bruno if we could play. (‘Ics’ from ‘Burning Defeat’ helped introduced us and Bruno let us play as the last band after ‘Swing Kids’.) I was surprised because I thought that people would have left after the ‘Swing Kids’ but I remember the place was still packed. It was one of our best shows ever, even if nobody (except the Italians) knew us. I still remember it after more than 20 years. Needless to say that all the other shows we should’ve played on that ‘tour’ got cancelled. We played other 2 shows with Adriano [Pratissoli] (‘By All Means’, ‘Society Of Jesus’, ‘Mourn’, etc.) on drums because our drummer left after this show here to go back home. I don’t remember a lot of the bands that played… I was probably busy checking distros and talking to people. I do remember ‘SaidIWas’ did a great show (also saw them in Italy). I didn’t even see ‘Swing Kids’ because I had to prepare the instruments for our own show. We came back to the Vort’n Vis in 2000 [2000-08-18&19&20]…

Paolo Riscica

I was there on Sunday. My friends told me you, Brob, left on Saturday…

Albert Cheong, Barcelona

One of the best shows I saw at the V.V.: ‘Swing Kids’

Cathy Bennett

I was there with Daniel Eberharter and Melanie Friedl (Smart Cookies Collective), also Birgit came with us! I can remember that I enjoyed the bands and the ‘Swing Kids’… I thought that ‘Swing Kids’ were playing naked then but it could also have been another band [Brob: It was ‘Saidiwas’.] at that festival…. Memories fade…

Manuel Harand

I was at the “Ieperfest” in ‘96 (and also in’97). I remember ‘96 very well indeed because it was such a special time, a great line-up and much fun for me and my travelling-party from Vienna. we were loads of people, all sleeping inside the Vort’n Vis too. I have quite a few photos: they’re all on film of course and but haven’t scanned them all yet, it’s a task to do all of that…

Daniel Eberharter

During ‘Swing Kids’s set Joeri Hoste was standing upfront, next to Jürgen Desmet. I can’t remember where I was standing. I saw back them again in Hamburg in 2011. With another guitarist, the original one died. José was one of themost fantastic drummers in HC/punk-land; the only one that can play the ‘swing’ rhythm. Justin remembered this painful concert in Ieper, they split right after. The guys are embarrassed for their behaviour then: they had a raw.

Peter Puype

‘Stampin’ Ground’ was basically inspired into life when we had a night off during the 1994 ‘Decadence Within’ Polish tour and we took a trip across to Leipzig to see ‘Snapcase’, ‘Earth Crisis’ and ‘Refused’… What a show! We knew we wanted to do something much more heavy and intense than ‘D.W.’ that very night!

Ian Glasper

Vique Martin stepped in and really helped save what was, for a variety of reasons, a poorly planned tour for us… And along the way, she snapped quite a few photos. I made some friends there who I am still in contact with today and although it was probably the best show we played of the entire trip, the thing that stands out the most for me is meeting those friends…and there are a couple of others with whom I wish I had not lost contact.

John Brady, ‘Swing Kids’ bassist

My friends Andrea Marra [bass] and Cristiano ‘Orco’ Fini [guitar] (also ‘Concrete’) played for ‘Bruma’… They sucked if you ask me. Eva Falomi was the singer and as far as I can remember there was another girl playing probably second guitar, not so sure about it. I think ‘Concrete’ played probably the same year ‘Comrades’ did [1995]. I do remember Bruno wanted an Italian invasion there for a couple of years…

Paolo Petralia, SOA recs (Rome)

‘Bruma’ was Eva on vocals, Cristiano (‘Concrete’, ‘Comrades’) on guitar, Andrea (‘Comrades’, ‘Anti You’) on bass, Valerio on drums and Olga on second guitar. My band ‘This Side Up’ and ‘Bruma’ toured together in 1996… This here was probably their only appearance outside Italy (in addition to the tour). I think the band disbanded very shortly after our European tour…

Dario Adamic, Zips & Chains zine

Going to the festival (I was the only driver) we totally broke the engine of our car 1.000 km away from Rome, so it seemd like the festival was over for us. But then…

Valerio Borgianelli, drummer of ‘Bruma’

Miss going to the Vort’n Vis fests, sleeping outside by the canal, fun times!

Axel Stattin, ‘Separation’ bassist

excerpts from the V.V. guestbook:

additions wellcome!…

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97-xx-xx Locust & Jenny Piccolo (Vique)‘The Locust’ & ‘Jenny Piccolo’ touring-party (L => R: Al – Bobby – Chris – James – Jimmy – Justin – Vique – Steven); pic from the Swedish zine Handbook For Revolutionaries (taken by Axel Stattin)

This gig was organised by Joeri Hoste…

‘The Locust’ (from San Diego) played power-violence (“crazy, fast, noisy parts combined with ‘moshy’ bits; and screamy vocals”) with synthesizer-bits. Others described their music as “a mix of grindcore and mathcore” or “weirdo hype fastcore”. In the band at that time were: Justin Pearson (bass & vocals; ex ‘Struggle’, ex ‘Swing Kids’; founder & owner of the label Three One G), Dave Astor (drums; couldn’t tour Europe, one of the guitarists of ‘Unbroken’ – Steven Andrew Miller – replaced him), Jimmy LaValle (guitar/keyboards/vocals) and Robert ‘Bobby’ Bray (guitar/vocals). Their first release was a split-10” with ‘Man Is The Bastard’ (’95). Then there was a 5” split with ‘Jenny Piccolo’ on Three One G (‘96) and a 7” on Gold Standard Laboratories (’97)…

97-03-30 Locust (by Cathy B)‘The Locust’ (Bobby & Justin) live; pic courtesy of Cathy Bennett (photographer: Rudy Penando)

‘Jenny Piccolo’ was an “emo-violence” band from Santa Cruz (California) “cobbled together from the ashes of the band ‘Mohinder’…”. The guys touring were: Al Ruel (drums), James Fuhring (bass) and Chris Story (guitar/vocals). After the split with ‘The Locust’, they released the LP Information Battle To Denounce The Genocide (also on Three One G, ’97). They toured together with ‘The Locust’. Some of them later went on to play in ‘Yaphet Koto’.

97-03-30 Jenny Piccolo (by Axel Stattin)‘Jenny Piccolo’, photo courtesy of Axel Stattin (a young Björn Dossche looking surprised behind them)

97-03-30 Jenny Piccolo - James & Chris (by Petter Karlsson)‘Jenny Piccolo’ live (James & Chris), photo by Petter Karlsson (Erwin Van Looveren – R)

‘Serene’ (from Gävle) were Olle ‘Hård’ Johansson (drums), Petter Karlsson (bass), Fredrik Nygren (guitar), Klas Joakim Eriksson (guitar; later ‘Leiah’) and Anders Nähslund (vocals). They did a split-7” with ‘Separation’ on Genet recs in 1997. Their LP Inward Flowering was released on the same label in ’98. “Melody-driven hardcore and screamo punk.” They were back a few months later for the yearly fest (97-08).

‘Separation, a straight-edge hardcorepunk band from Umeå, were Axel Stattin (bass), Jonas Lyxzén (drums; ex ‘Abinanda’, later ‘Demon System 13’) and Lars Johan Strömberg (guitar/vocals). Before the above mentioned split-7” (recorded right before this gig), they also did a demo, and 2 releases on Desperate Fight recs: the EP/mCD entitled 5th Song (recorded Dec ’95 with José Saxlund from ‘Abhinanda’ on vocals) and a self-titled CD (recorded in ‘97 after this). José had quit ‘Separation’ to focus on ‘Abhinanda’ and his label Desperate Fight after the recordings for the mCD. This was their second time here (see 96-08-18).

97-03-30 Separation - Lars (by Petter Karlsson)Lars ‘Separation’, photo by Petter Karlsson

Brob

>> [‘Jenny Piccolo’] was comprised of some of the coolest and funniest people I have ever met, great touring comrades musically and personally. ‘Locust’ and ‘Jenny Piccolo’ were booked to tour Europe together. In retrospect the booker was crazy to bring us over. Both bands were unknown and were doing stuff that wasn’t really well-known or successful at the time. In Europe, people were heckling us for having synthesizers, odd haircuts and clothing that fit. At that time, a plethora of rehashed hardcore bands were touring there successfully. At our shows in Europe, we had old burn-outs, crusties, a shit-ton of hardcore jock-types and one night, some guy of ‘Doom’ who posted up right in front of the stage, shouting insults right until the first song smacked his old ass in the face. […] <<

Justin Pearson; in his book From The Graveyard Of The Arousal Industry

My band ‘Serene’ went on our first tour on Easter holiday of 1997. Up to this we had only done a couple of shows in the close surroundings of my hometown Gävle and it felt surreal to go playing in places I knew very little about. One could say that the Swedish punk/hardcore community in that particular time was held together by a consensus on a few political positions: Beat up racists, eat vegan, denounce sexism and be gay-positive. My band lived up to these premises. In retrospect, I can see something problematic in this. We were a band consisting of young heterosexual males, to some extent posturing as gays with the objective of showing solidarity with the gay movement. When we got to Belgium our reputation of being anti-racists, vegan, anti-sexists and gay-positive had travelled before us. The first three positions was a good door-opener. The fourth was… Well, the people we met weren’t gay-friendly at all, to say the least. We got threatened with violence and people confronted us with an attitude of “I’m OK with your band being gay and all that but you can’t sleep at my place because I don’t like guys butt-fucking all across my moms basement.”. This, of course, just made us push the gay-positive position further. Almost 20 years later I find it interesting to think about the processes that shape our identities and our communities. Political awareness is often raised experimentally, by trying things out and ‘taking a stand’ by appropriating other peoples struggles. And even though this support is done with good intentions, it is problematic since it is a very patronizing kind of support. The hardcore scene in Sweden in those days was full of what you could call privileged people taking a stand on issues that was outside of their own sphere of experiences. On March 30th 1997 we played the Vort’n Vis. I had listened to some stories from Axel from ‘Separation’ about the place being really awesome and had high expectations of visiting. I also knew that we were playing with people that had a history of playing in the band ‘Swing Kids’, who I highly appreciated. ‘Jenny Piccolo’ and ‘Separation’ played first. Our gig went down the drain since the drummer – out of some kind of defiance against those homophobic people we had met the days before – decided to play naked and therefore slipped his sweaty ass off the drum-chair all the time. It was fun. We ended with playing a cover of ‘Born Against’s Mary & Child and left the stage for ‘The Locust’. They were good! They did a quick set and I remember catching one of the syntheziser-keys that flipped off the keyboard. After the gig was done I remember taking off with the guitarist in ‘Serene’ to drink beer with two women that offered the band sleeping-places. I have trouble recalling their names but I think one of them was named Susanna. Their house was just outside a big field with remnants of trenches from WW1 and I remember sitting there in under the spring sun in their small garden getting the first experience in my life of feeling truly free.

Petter Karlsson, ‘Serene’ bassist

excerpts from the V.V. guestbook:

VV 97-03-30 - (book C) Locust & Jenny Piccolo

VV 97-03-30 - (book C) Separation

VV 97-03-30 - (book C) Serene

additions wellcome!…

96-08-16&17&18 HC The Next generation (1st)

96-08-16&17&18 HC The Next generation (pre 2)pre-posters

96-08 HC fest

Right before this fest Stephane Boens (74-04-17 * 96-08-06) a.k.a. The Famous Vegan (a friend of some collaborators at the V.V.) passed away…

96-08 VV frontphoto: Roel Brals

This trend that had silently been creeping in during previous years (commercialism, violent/sexist/homophobic attitudes) got even more established here. Earlier in ’96, I had been isolated, denigrated and vilified because of my criticisms (by the H8000 buisnessmen and their disciples). For many I wasn’t wellcome but I tried to be one of the few who offered radical/political literature, and went over to explain to those who wanted to listen and support my few remaing friends. This here below shows there were also still a few people trying to get (part of the) message across…

96-08 VV fest in SxE Bulletin x (-)someone from The NL in Yann Boislève’s SxE Bulletin #20

96-08 anti Windmilling

96-08 H8000 Violence (Lenny Sektor)96-08 H8000 Violence (Lenny Sektor)'

96-08 Lost & Found anti-campaign (-)

It was the last time I attended… I refused to pay entrance and hardly saw any of the bands. I believe this was the programme (but some might have been added):

96-08-16: Firestone (Bel), Facedown (Bel), Vitality (Bel), Outrage (Bel), Victims Of Society (Bel), Down For The Count (Spa), Liar (Bel), Spawn (Ger), Unborn (UK)

96-08-17: Voices At The Front (Bel), Kindred (Bel), Sektor (Bel), Saidiwas (Swe), Regression (Bel), Timebomb (Ita), Burning Defeat (Ita), Congress (Bel), Racial Abuse (Öst), Despair (USA)

96-08-18: Spineless (Bel), Resist The Pain (Bel), Stampin’ Ground (UK), Vanilla (Fra), Approach To Concrete (Ger), Bruma (Ita), Separation (Swe), Swing Kids (USA), With Love (Ita)

the marketplace… :-(

96-08 VV koer met distros (by Karel Deweerdt)courtesy of Karel Deweerdt (Wim ‘Blindfold’ & UJ ‘Liar’ on the left)

96-08 stalls (by Joeri H)photo by Joeri Hoste (central: Eric Allen, Marco Walzel, Justin Pearson)

96-08 VV yard96-08 VV yard'

the international crowd… :-)

96-08 upstairs room''96-08 upstairs room'96-08 upstairs room96-08 Spanish invasion'

VV 96-08-xx - (book C) chiro (C) -even the local girl-scouts visited…

96-08-18 Vique Martin by Joeri H…and a little British kitten named Vique… (photo courtesy of Joeri Hoste)

photos by Sergi E. Costa (unless where otherwise mentioned)

There were people from all over but there was especially an Italian invasion… Quite a few bands from there played and some people who were in Italian bands that didn’t play also came over. One of them was Federico Oddone (ex ‘Maze’), the guitarist of ‘Sottopressione’ (from Milano). In that band he played together with ‘Diste’ Andrea Di Stefano (bass), ‘Kuku’ (drums; replaced Mauro Dossi ex ‘Crash Box’) and Mayo Maggiore (vocals). The band released a 7” through Mele Marce recs and 3 albums on Rudy Medea’s Vacation House recs. Federico wrote this entry in the guestbook:

Veganism was a big issue too… Animal Truth zine (by Cindy Frey & An Lehaen) a reference…

additions wellcome!…