Posts Tagged ‘Leiah’

Introduction => 2000-08-18&19&20 Ieperfest

Laurent Chopard & Olivier Bresson (from Besançon, France) wrote in their zine Co-existence:

After a a few hours of sleep, we took the distro to the site early enough so that they would let us in this time. A nice first band (‘5 Day Get Away’) opened the day. We decided we could better enjoy it because a series of retarted metal bands was lined up. It wasn’t until ‘Point Of No Return’ (from Brazil) that our ears opened up again. Not al that original but with quite some sincerity. ‘Knut’ delivered an impressive show of chaotic technicality. Hard to get into though (except for Phil ‘Burn Out’). The hardrock of ‘Firestone’ could have been fun if it hadn’t been so rickety. ‘Leiah’ unleashed the elements, including Laurent, without much surprise, remembering last year. The rain continued to poor when ‘Good Clean Fun’ took the stage. A nice concert that could’ve been even better if the weather had been good. To finish up this 2nd day, there was ‘Grade’: good concert despite the weak singing in the melodic parts and a ‘did-you-get-to-see-me’ attitude. Since the day ended early, we found ourselves in J.P.’s (Jean Paul of ‘Nothing To Prove’) van, listening to the latest gossip of Gael and laughing.

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‘5 Day GetAway’ was ‘Blindfold’ directly after they’d split up, without Hans Verbeke and Mich Decruyenaere: Wim Vandekerckhove (guitar), Jan Maelfait (bass), ‘Chatn’ Sacha Baelen (drums), with the addition of Vincent Maes (vocals; ex ‘Instinct’). Discriptions of their music went from “melodic/rockin’ HardCore” to “emo with a punky old school touch”. There was a (6-track) self-titled CD released in 2001 that was distributed through Genet recs and they had a song on the The Crossroad Project compilation-CD.

‘Posession’ (from Aviles, Asturias, Spain) put their album Anoxia (and some of their other releases) out on my mate ‘Uge’s labels Don’t Belong and Throne recs. Their music (“stoner rock/death-metal”) was compared with ‘His Hero Is Gone’, Systral’ & ‘Dystopia’. The people in the band were Pablo Muñoz (guitar), Titi Muñoz (guitar/vocals), Xuxo ‘Suso’ Gallego (bass/vocals) & Richard (drums; later Ivan Rubio).

‘Circle’ (from Landen, Belgium) consisted of Dries Olemans (vocals; later Hypertension recs), Arne Robijns (drums), Danny Kempeneers (bass), Dimitri Degreef (guitar) and Kristof Uittebroek (guitar; later ‘Customs’). They did an album for Funtime recs: Radiostation Infiltration (2000) & one for Reflection recs: Vaudeville (2003); their EP The Day Elvis Shook His Ass came out on Genet recs (2001) There was also the Phonography / Leaving The Parade EP (Reflections recs 2003) and a 4-way split CD with ‘Reply’, ‘PN’ & ‘Exit 19’ (Funtime recs).

‘Dawncore’ (Budapest, Hungary) – “new school mosh à la ‘Morning Again’” – were Ács Máté (bass; he replaced the 1st bassist Attila Bozo), Tibor ‘Tibi’ Szalkai (guitar), Ferencz Zsolt (drums), Németh ‘Szabi’ Szabolcs (guitar) and Soos Balázs (vocals). Around that time they were preparing for an album that was released on Marco Walzels’ label Join The Team Player recs: Entertainment For The Rest. Before they had released, besides other material, the EP Obedience Is A Slower Form Of Death on Trottel recs.

‘Dawncore’ (pictures: 1, 2 & 3 courtesy of Ferencz Zsolt; 4 by Pat Federli)

‘Negate’, a metalcore band from the Charleroi area, released a demo in ‘97 with Arnaud Detry (guitar/vocals), Saïd Derouiche (bass/vocals) & Stef (drums). That year there was also a split with ‘Negative Verdict’ (France) and they recorded for a mCD entitled Between Anger And Pain. Some more releases followed and their final release was a CD – Enemy – for GoodLife in 2003 (with bassist Justin Veronesi, drummer Niko Collaer & guitarist François-Xavier Marciat). The guestbook here was signed by Arnaud, Greg (Gregory Avau), Niko & Moulain…

‘Point Of No Return’ (São Paulo, Brazil) was vegan, straight-edge metal-core band with 3 singers: Alexandre Fanucchi (a.k.a. ‘Kalota’), Frederico Freitas (fredericofreitas.org) & Marcos Suarez. Their music was described as “a mix of ‘Earth Crisis’ metal-mosh with death-metal elements”; they had political lyrics in Portugese focused on the Third World struggles and on the animal liberation fight. The musicians were: Tarcisio (De Arantes) Leite (guitar; also ‘Personal Choice’), Paulo Júnior (‘Juninho’, Paulo Sergio Sangiorgio Júnior; guitar), Jefferson Queiróz (a.k.a. ‘Tigrilo’, bass) – here: Pedro Carvalho – and Luciano Juliatto (a.k.a. ‘Lobinho’, drums). They had a self-titled EP out on Catalyst recs and had recorded for the Centelha LP a few months before this fest. There was an interview with Tarcisio (conducted at this fest) in Co-existence zine.

‘Point Of No Return’ (pics courtesy of the band)

‘Born From Pain’ – “brutal mosh” – (from Dutch Limburg) recorded for the album Reclaiming The Crown in May 2000 with Rob Franssen (ex ‘Wheel Of Progress’, ‘Feeding The Fire’, ‘Backdraft’) on bass, Wouter Alers (bass on ‘F.T.F’s last CD) on drums, Stefan van Neerven on guitar and Ché Snelting singing. Nowadays Rob Fransen sings…

‘Knut’ was described as a “sludge/mathcore” band but also as a “noisy rock outfit” from Geneva, Switzerland. I believe they were friends of Joris De Buysser (who ran Conspiracy recs). In April ’99 Didier Severin (vocals), Jeremy Tavernier (bass), Philippe Hess (guitar) & Roderic Mounir (drums) were in the studio for their 7” Ordeal (on Fabien Thévenot’s Molaire Industries) and in November did some live recordings for a split-10” with ‘Ananda’ & ‘Botch’.

‘Withdrawn’ (where Chris(topher) Meadows of Clear Perception zine used to be singing – he was also the drummer of ‘Unborn’) with Martin Von Bargen and Ian Leck of ‘Voorhees’ had line-up problems and re-formed as ‘Evanesce’ – “vicious vegan XXX metalcore” from Liverpool. In 2000 the band’s CD Sower Of Sedition – recorded with ‘Onion’ Martin Von Bargen (guitar; ‘Solstice’), ‘Mortiis’ David ‘Dave’ Fergusson (drums), Jay/Jason Hearne (vocals), Colin Robertson (bass; replaced Phil Smith) and Danny McDermott (guitar) – came out. The music was described as “black/death-metal influenced metalcore”. Watch (part of) their set on video!

‘Firestone’ (from Kortrijk, Belgium) had played the Vort’n Vis a few times already: 96-08-16, 97-06-27, 98-08-16 & 2000-07-16. The line-up here was Iris Walgraeve (vocals), Lennart Bossu (guitar), Diederik Claes (drums), Mathieu Storms (drums) & Ward Dufraimont (guitar). They presented their debut-album Aim For A New Tomorrow.

‘Firestone’ (photos: courtesy of Iris Walgraeve)

‘Sad Origin’ (from Dendermonde) played at the 1998 fest and presented their LP during the 1999 fest: A Double Edged Sword In A Triangle Of Emotions (‘adesiatoe’) was released by Genet recs. They had done a demo in ’96 and a ‎mini-album entitled Window Of Sarcasm on Inner Belt recs (‘98). The band (from Dendermonde) consisted of Robin (bass), Wim Aerts (drums), Wes(ley) Steels (guitar) and Hans ‘Link’ Teirlinck (vocals). Peter XKombatX did backing vocals on the Genet CD. Some people reviewed it as “metal with an early ‘Morbid Angel’ sound” or “metalcore with NYHC influences” or (On Display #3) “bad death-metal” (not to use the generic term “Tuff-Guy HC”). Alain Herszaft put out the split-CD with ‘Misura’ on Released Power Productions in August 2000. Some of the members went on as ‘Die My Demon’. No idea if they actually played here (they’re not in the guestbook)…

‘Leiah’ (Gävle, Sweden) had played at the V.V. pub on 99-10-31 and the ‘Ieperfest’ the year before (99-08-22)…Their music was indie-rock/emo-punk: Ann-sofie Lundin (bass), Gunnar Forsman (drums), David Lehnberg (vocals/guitar; he’d also performed here with ‘Ariel Kill Him’ the day before) and Klas Joakim Eriksson (guitar; ex ‘Serene’). In 1999 they did 3 releases for Genet recs and this year Bruno released the LP Tigra Songs.

‘Leiah’ (photos courtesy of the band)

‘Good Clean Fun’ – “old school Hahahardcore” – was a vegan straight-edge positive hardcore punk band from Washington D.C. As influences they mentioned ‘Gorilla Biscuits’, ‘7 Seconds’, ‘Minor Threat’ and ‘Youth Of Today’. In 2000 they had the album, entitled On The Streets Saving The Scene From The Forces Of Evil, out on the Dutch label Reflections recs (Johan Prenger from Tilburg). On these recordings: Mike ‘Phyte’ Mowery (bass), Andrew William Black (drums), John Delve (guitar) and Issa Diao (vocals). Probably they toured with another line-up: in the guestbook there’s a drawing of Casey a.k.a. Chuck Water Music [NÓT Chuck Ragan of ‘Hot Water Music’], Issa, ‘Phyte’, ‘Scooter’ & a drummer…

‘Good Clean Fun’ (pics: source unknown)

‘Grade’ (photographed by Pat Federli)

‘Grade’ (from Burlington, Ontario, Canada) “blended metallic hardcore with emo” and were inspired by ‘Integrity’ and ‘Chokehold’. Bruno’s marketing lingo: “top speed emo hardcore with a really driving edge”. In 1999 they had signed to Victory recs and their videos were played on MTV. Members at that time, I believe, were Matt Jones (bass), Chris Danner (drums), Shawn Magill (guitar), Greg Taylor (guitar/vocals) and Kyle Bishop (vocals).

Brob

It was me singing, Scott Affront (guitar) & Casey Watson (guitar; no relation to ‘Hot Water Music’), Mike ‘Phyte’ (bass) & Geoff (drums).

Issa Diao, ‘Good Clean Fun’

I believe I only performed once with ‘Firestone’ in Ieper (the band had a number of singers before), on Ieperfest. I can’t remember a great deal about it. I was studying for re-exams and just popped over for our gig, driving along with our bassist Didier (who had to work until a certain time) – singing along with to ‘Hammerfall’ CD to warm us up.

A bit after performing at Ieperfest we were addressed by Bruno (Genet recs). Larry [Watts] of ‘Standing Tall’ wanted to do a project with Lennart and myself, after he’d seen us play. We rehearsed twice with Larry and Louis [Louie/Luis Gonzales ?] in the back of the Pyrrhus shop and then we went into the studio. Lennart played bass and I was singing together with Larry. The project was named ‘Bracelet’ but nothing happened with that. Larry continued it on his own but the songs we recorded were never released because Genet didn’t want that.

Larry & myself did go see American Psycho, together with Bjorn Dossche…

Iris Walgrave, ‘Firestone’ singer

I remember that we played the V.V. these twice but nothing more. I played in ‘Circle’ from ‘98 to 2004. We did this one and played also on 2001-08-18 with ‘Leiah’, ‘Liar’, ‘The Locust’, ‘Facedown’, etc. In 2001 we also did a gig in the pub (Oct 19th) with ‘Severance’. Later we played the Animal Truth Benefit with ‘Liar’, ‘Absone’, ‘Firestone’, ‘Severance’, ‘Empathy’ & ‘Bloodshed’; and the Ieper HC Fest on 2002-08-18.

Danny Kempeneers, ‘Circle’

This was a weird day for us: in the morning we’d burried a friend (car-accident) and we didn’t expect much from our gig but the response was super and that performance plus the contacts we got there helped us expand our horizon and get out of our local scene to play with a lot of different bands.

Dries Olemans, ‘Circle’ vocalist

I would like to thank those organising the fest in 2000. The Vort’n Vis was legendary for us in Brazil and it was a great honour to play there. I remember we had a blast. It was such a great time! I have the sense that at the time the fest was beginning to stray away from its DIY roots towards a more commercial mode of operation but I think it still retained some of its old ethos.

Our bass-player had to return to Brazil before the end of the tour and our friend Pedro played bass in Ieper. We also had other friends from Brazil who were following us, so many of the non-stage 2000 European tour pictures on our page have them mixed up with the band.

Frederico Freitas; ‘P.O.N.R.’

From 1999 on, when ‘ADESIATOE’ was recorded, Robin took over the bass.

Peter De Bondt, ‘Sad Origin’s first bassist

If I remember well, we were just on tour with the band. I really liked the location, we liked the party. Food was delicious. After our show we stayed at the festival the next day… I can say it was an honor to play there.

Ferencz Zsolt, ‘Dawncore’ drummer

‘Leiah’ were not that DIY even if we did most stuff like any other punk-band. We played squats, smaller venues, printed shirts, owned a shitty van, eat beans and vegan stews and got wasted. We were all young punks and the party had just begun and we partied alot. I joined ‘Leiah’ in 2000 playing the Tigra Songs LP tour. I played there 2 times: 2000 & 2001. I remember all the vinyl and vegan food. And I’ve never in my life seen so many ‘Liar’ T-shirts at one place. The moshpit thing was brutal, not my kind of thing though. Most bands played really strict metal-core/ old-school and I guess our more Swedish mid-western emo-thing was a welcomed pause from all the heavy stuff. I was really psyched up playing in 2000 since I knew from the response of the first show that ‘Leiah’ (at the time the EP with ‘Hebriana’) got a nice welcoming.

Nowadays, David and Ann-sofie are doing music far from the punk-scene and they do it successfully. I don’t think they care that much about punk-music these days. Anders and Joakim had some band together years ago that was in the vein of ‘Strike Anywhere’ (melodic and fast). I moved up north after 10 years in Stockholm and I’m still keeping my D-beat band ‘Terror Attak’ from ‘99 alive…

Gunnar Forsman, ‘Leiah’ drummer

‘Knut’ played off-beat hardcore that sounded very tight live.

Kristof Mondy

I remember that I already felt completely alienated from that scene…

Sacha Baelen

This was since 20 years ago, a time where flemish kids enjoyed meeting walloons like us. I remember arriving by car and seeing a lot of people coming from the railway-station to find the place. I also recall the amazing vegan food…

I also met Ovidie (the french porn-star) at the fest and we had a real cool discussion about what she was doing there.

Arnaud Detry, ‘Negate’ guitarist

I quit ‘Negate’ in 1998…

Saïd Derouiche

excerpts from the V.V. guestbook:

additions wellcome!…

Introduction => 99-08-20&21&22 Ieper HC festival

Laurent Chopard & Olivier Bresson (from Besançon, France) wrote in their zine Co-existence:

(1) The third day also had its share of boring bands. Regarding metal: only ‘Jane’ was a little out of the lot. I was curious to see what ‘John Holmes’ looked like and I didn’t get hooked (because of the voice?). On the other hand, I waited impatiently for ‘Leiah’ (with an ex-‘Serene’ band-member, the others having formed ‘Children Of Fall’) and my waiting was rewarded. I was told that there were 2 girls in the band but I actually think that the people who told me this aren’t acquainted with the glam-look, because indeed, it was indeed a singer (who could have played in ‘Pretty Boy Floyd’). During the concert, the drummer even told the audience that the y didn’t attend a ‘Marilyn Manson’ concert, despite appearances. The sad melodies of the band really fascinated me and I found the bassist (who made fun of the virile attitude of the band before) original. The curtain-call was done with just one guitar as the singer had the bad idea to throw away his (ah! rock’n’roll…) Otherwise, I saw a little bit of ‘Facedown’ (who play every year!) and it was pretty good even though the ‘Earth Crisis’ cover wasn’t mandatory. The long-awaited band that closed this edition was none other than the ‘Get Up Kids’ and I think this was the perfect band to finish in style. Everyone was dancing and singing along to the lyrics of the band. An excellent concert!!!

(2) The last day, two old-school bands opened the ball, unfortunately I didn’t get to see them, too busy finding food other than french-fries (I know it’s the country but three days in a row at noon and at night gets disgusting!). When I came back ‘True Blue’ was playing; it wasn’t bad at all, a little bit like early ‘Cro-Mags’, and the rest of the programme wasn’t very uplifting, except for ‘Leiah’ who bewitched Laurent. To believe that he fell in love with the androgynous singer (Ah! glam-rock when you get to us!). The organisers had the great idea to end the festival with the ‘Get Up Kids’, which literally set things on fire. I found it quite pleasant, even if at times the ‘college band radio side’ was a bit annoying (these Americans: all rock stars, ah ah!).

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‘Instinct’ – “Tielt old school youth-crew mosh.”. These guys were indeed from my hometown (and Deinze). A “positive old-school” band. They’d played the V.V. a bunch of times before (97-03-01, 97-06-27, 97-07-12 & 97-08-15). Alex Dierickx & Thomas Hauttekeete played guitar, Vincent ‘Pit’ Maes sang (he was also in ‘Hundred Years Of Forgetting’ who played the first day of this fest, later played bass in ‘Rise And Fall’ & ‘The Deal’), Pedro Tallieu did the bass and the drummer was Tuur Delodder. They did a 7” on Marc Decaigny’s label Braveheart recs, entitled Friendship, A Lifetime Commitment, that was released that year (the release-party was 98-04-18).

‘Point Of Few’ – “Wicked fast-forward HC/power violence.”. A band from Hoogeveen (The Netherlands) playing “political fast-core”. Some dubbed them “the new ‘Man Lifting Banner’”, others made comparisons with ‘Seein’Red’ & ‘Insult’. By that time they had done a self-titled 7” on Jeffrey Kroesen’s label Discontent recs (’98) and the EP There Is Not Much Left (Coalition recs, ’99). The band consisted of Marco ‘Creshi’ Klopstra (vocals), Jop Hoekstra (bass), Martheun ‘Bolle’ or ‘Bizkid’ Poolman (guitar) and Rik Penninga (drums).

‘Point Of Few’ (fanpage-pic)

‘True Blue’ – “Cromagnon HC, ex-‘Spawn’, rocks as hell!”. Patrick Kitzel (vocals; sang in ‘Spawn after Chris left, Repel zine), Flo(rian) Kehbel (bass), René Natzel (drums; ex ‘Feeding The Fire’, ‘Spawn’), Daniel Bebber (guitar) and Frank Olma (guitar). They had a tape out entitled Friday May 13th (‘98) and the 7” The Ice (Crucial Response recs ‘99).

‘Jane’ – “Ruhrpott metalcore, moshes hard!!”. A chaotic metal-HC band from Duisburg with Matthias Drost (guitar), Mike Masurczak (guitar), Marc Hess (drums), Thomas Kuhn (bass) and Markus Hohn (vocals). They had released a split-CD with ‘Shaft’ (Chorus of Doom) on Sascha Franzen’s label Alveran recs in ‘98 and their CD A Doorway To Elsewhere (same label, ‘99).

‘Sunrise’ “Stripped vegan XXX metal mosh.”. A Polish (melodic) metal-core band from Ostrowiec. On their first demo the line-up was Daniel Kryj (guitar), Maciej Mazur (drums), Marcin Podsiadły (bass) and Patryk Bugajski (vocals). Adam (Tomasz) ‘Vegun’ Stepien did “ghost sounds”. At the time of this fest they had 3 releases under their belt: Fire Walk With Me (tape ’97), Generation Of Sleepwalkers (album ’98) & Child Of Eternity (mini-album ’99 SoberMind). The people in the band in 1999 were Daniel, Marcin, Patryk & drummer Piotr Grabinski.

‘Reaching Forward’ – “Old-school youth-crew, straight-forward HC.”. From the south of The Netherlands (Den Bosch). ‘JZ’ Johnny van de Koolwijk (vocals; ex ‘Mainstrike’; replaced 1st singer Cay), ‘Mila’ Emiel Laurant (guitar), Arthur ‘Tuur’ Bek (guitar), Harm Haverman (bass) and ‘Bakkie’ Pieter Hendriks (drums; later Ries Doms). They released their first demo, Bite The Hand That Feeds in 1997 (without Tuur). They did the recordings (according to Arthur with ‘JZ’, not Cay) for the Pride Is Everlasting 7” (Commitment recs, ‘98). Their LP For The Cause came out on Reflections recs (‘99).

‘Leiah’ – “Gävle powerclass emo – 7″/mCD presentation.”. The music of ‘Leiah’ (Sweden) was decribed as indie-rock/emo-punk (“clone of the ‘The Get Up Kids’…”) by some, others called it pop-music. The band consisted of Annsofie Lundin (bass), Anders Gustavsson (drums; in 2000 Gunnar Forsman), David Lehnberg (vocals/guitar) and Klas Joakim Eriksson (guitar; ex ‘Serene’ – who’d played at the V.V. a couple of times). In 1999 they had 3 releases on Genet recs: a split-7” with (the Belgian) ‘Hebriana’, a 7” & CD entitled Mood Shifting Tones. I few months later they played in the V.V. pub: 99-10-31.

‘Leiah’ (photo: Laurent Chopard)

‘Vitality’ “H8000 coastal mosh. Terrifying!!”. See earlier shows at the V.V.: 96-08-19, 96-09-22, 97-08-17).

‘John Holmes’ – “Old farts playing ‘Reversal Of Man’/‘Botch’/‘Deadguy’ style.”. The guys in this Britisch band (based in Leeds) were Brian Puplet (vocals; ex ‘Catharsis’, ‘Embittered’, ‘Manfat’, …), Dale Tomlinson (guitar; ex ‘Catharsis’, ‘Manfat’, …), Alastair Gordon (bass; ‘Force Fed’, ‘Geriatric Unit’, ‘Hard To Swallow’) & ‘Sned’ (drums; too many bands to mention). Earlier that year they had recorded for the El Louso Suavo LP (that came out on ‘Sned’ & Alec Mac’s label Flat Earth). The same year there was also a split-7” with ‘Canvas’.

‘Facedown’ – “Leading Belgian metal new school mosh.”. sXe band from the Antwerp region that played quite a few show at the V.V. (96-08-16, 97-08-15, 97-10-12, 98-08-15)…

‘The Get Up Kids’ – “Nice & gentle emo indie-rock.” – was an emo-pop band from Kansas City (Missouri). A correspondent of mine, ‘Huey Proudhon’ Kevin Zelko (who visited the Vort’n Vis in August ‘97), released their 1st 7” in 1996. This was followed by a shitload of records on commercial labels such as Doghouse recs, Sub Pop, Epitaph, etc. in 1999 their LP Something To Write Home About came out. It was recorded a few months before this fest with James Dewees (keyboards/vocals), Jim/James Suptic (guitar), Matthew Pryor (vocals/guitar), Robert Pope (bass) & Ryan Pope (drums).

‘The Get Up Kids’ (pic by Laurent Chopard)

Brob

I played the second guitar and then the bass but not in 1999 (or I don’t remember it).

Adam (Tomasz) Stepien, ‘Sunrise’

For couple of years I had heard stories about the mythical ‘mekka’ of European hardcore, THE Ieper Fest. Some of my friends had been going there since 1994, I believe and I finally made it with around 20 Polish hardcore kids in 1997. The local hardcore kids such as the mighty xStvx [Steve Lammertyn], the ‘Lifecyle’ kids and others hung out with us everyday while Jan [Claus], Stephen [Quintens] and the rest of V.V. crew were super hospitable to us and let us stay upstairs. We came back the following years and each time we spent a couple of weeks in Ieper, working doors at the fest, which was also pretty helpful. We met so many people from all over the world – from the Czech Republic (friends who later turned to be the masterminds behind the mighty Fluff Fest), Italy, Holland, Brazil and what not. With some of them I’m still in touch to this day. We traded stuff of the bands we were in, brought things home for distribution. We spent time in the pool or snacking the Aldi gingerbread with chocolate-cream (the Ieper diet). I’ll never forget the few dozens hardcore kids dancing to ‘Technotronic’ like nobody’s watching in the bar downstairs. Great times. Good gigs, too. My fave one was ‘Blindfold’ one that was supposed to be their final show [97-08-16]. ‘Liar’, ‘Purification’, ‘Culture’, ‘Morning Again’, ‘Abhinanda’, ‘Building’ – massive crowd-responses and stage-invasions. My band ‘Sunrise’ made it to Ieper in 1999 when the fest was held outdoors for the first time. It was still great, although I prefered the indoor one much more for its vibe. Our band at that time was Daniel Kryj on guitar, Marcel/ Marcin Podsiadly on bass, Peter/Piotr Grabinski on drums, and myself on vocals. We weren’t that tight, to put it nicely, haha. It might have been our second or third gig that year with hardly any rehearsals, so go figure. I remember myself being nervous as fuck, standing in front of a foreign crowd for the first time in my life. Good that I made it in one piece. We closed the gig with ‘Raid’s Blood Green. Bummer was that I skipped ‘The Get Up Kids’ gig that year, as I wasn’t into them. Bruno was so nice he invited us again in 2002, I remember it grew bigger and that was great edition. Last time I went to Ieper was 2003 and the highlight was Ken O’Keefe [anti-war and human rights activist] ’s speech. Lifechanging. Anyway, Ieper trips were always fun and I looked forward to them all year long. It has never been about Xmas or New Year, it was about Ieper Fest, that was the cycle I lived by. Blessed to be part of it in this way or another. “These days are gone but they’re not forgot [sic; ‘Judge’ quote]”.

Arkadiusz ‘Arek’ Lerch, Marcin Andrzej Czajka (‘Czaja’), Marcin Kucharski were people that played in the band later on…

Patryk Bugajski, ‘Sunrise’ singer

I only remember Alpro soy-desserts and some good vegan biscuits. And the public showers. And lots of nice and friendly people…

Daniel Kryj, ‘Sunrise’ guitarist

‘Hard To Swallow’ or ‘John Holmes’ never played at the V.V. [pub] We were meant to in ‘96 but van-trouble forced us back to the U.K. ‘John Holmes’ played the Ieper festival in ’99…

Alastair Gordon

I remember Ieper. We had a good time as far as I can remember… I liked all the tents and shit; pretty cool. It’s pretty funny to read that review there about ‘True Blue’. Kids always talked shit about us back then… And now they would never admit that… That wasn’t news to us at all though… A lotta jealous people and shit-talkers out there who didn’t understand this band… All I know is that I’m still playing after all these years… (‘EgoDestroys’ from Syracuse, NY) Hardcore is my life and I won’t slow down…

Daniel Bebber, ‘True Blue’ guitarist

I don’t remember much. It’s 20 years ago. ‘True Blue’ had an OK response. I don’t think there were that many people there when we played. I do have lots of fond memories of the original Vort’n Vis. Lots of great shows around 93/94. Also remember a great ‘Mainstrike’ show. That one was already in the bigger place in the back.

Patrick Kitzel, ‘True Blue’ singer

If I’m not mistaken, that was our last ‘Instinct’ show. Some internal troubles, friendships fading out… What I still know: we’d asked Bruno if we could play and he’d it was “OK, providing you don’t quit after that”. And we went like “No, no…” while we knew damned well that we were gonna stop. Empty Promises (One of our ‘Instinct’songs by the way).

Pedro Tallieu

I joined ‘Reaching Forward’ in 2001… But I did attend this fest in 99.

Ries Doms

I’m not very good at remembering specific stuff. Of course I recall playing there though. It was pure magic. I was a late teenager and guess I had a million feelings flying around all at once. I remember all the people up on stage. And how empowering that felt. I’m happy to read that I made fun of some macho guys. That makes me proud of my self. It was very special being in such a male-dominated culture playing and touring with ‘Leiah’. But the years on tour with ‘Leiah’ were also so magical and I’m so happy for all the wonderful meetings with different inspiring people. Our fans where always really cute and friendly. I learned so much during those years and it really formed me to be the one I am today. As an artist I have so much to be glad for that I have been on stage (wich was my absolute favorite part of ‘Leiah’) so much during my teens. I’m really interested in digging in this – seeing pictures and have been asking G (Anders Gustavsson) about the documentary that was made about ‘Leiah’ – but he’s not fast with replying. Being a part of ‘Leiah’ is absolutley a big part of my life and a big part of my artistery with ‘Min Stora Sorg’.

Annsofie Lundin, ‘Leiah’ bassist

I recall ‘JZ’ having a total black-out when we played a ‘Minor Treath’ cover. That’s it. I believe ‘Mila’ has a video of that show…

Arthur Bek, ‘Reaching Forward’ guitarist

I’ve been in Vort’n Vis only once for the festival, the year ‘John Holmes’ played.

Silvain Fayard, Tranzophobia zine (Saint-Etienne, France)

additions wellcome!…

 

From the www… >>The Vort’n Vis Festival is one of the biggest underground fests in Europe and can be found in Ieper. It exists a long time already, I think from the eighties. It used to be in the club called Vort’n Vis but since two years it has become an open-air festival at the music-school. The fest offers us a lot of styles of hardcore like old school, NYHC, emo, more metal stuff; and combines big names with lesser known names. The big names this year were Ensign, Good Clean Fun, Stigmata, Grade and As Friends Rust. Convinced, Walls Of Jericho, Out For Blood and Shai Hulud were bands listed on the bill but who couldn’t show up in the end, pity… The weather on this year’s fest really sucked, lotsa rain… But that couldn’t stop the fun. The atmosphere on the fest was good but not as good as last years. There were no fights or something but some people seemed to enjoy fucking things up at the camping. A lot of people showed up. They told me almost 1.500 people on Friday, about 1.700 on Saturday and the same for Sunday. Also a lot of people decided to stay on the camping.<< (author unknown)

2000-08 www logo2000-08 www2000-08 www'2000-08 www''

Programme (full posts with photos of some bands can be accessed by clicking…):

Friday 18 August: Ensign (USA), Voorhees (UK), Reiziger (Bel), Out For Blood (Bel), Serene (Swe), Cast In Fire (USA), Building (Bel), January Star (Ger), Cataract (Swi), Lvmen (Cze), With Love (Ita), With Love (Ita), Ariel Kill Him (Swe), AmenRa (Bel)

Saturday 19 August: Grade (Can), Good Clean Fun (USA), Leiah (Swe) Sad Origin (Bel), Firestone (Bel), Withdrawn/Evanesce (UK), Knut (Swi), Born From Pain (Nl), Point Of No Return (Bra), Negate (Bel), Dawncore (Hun), Circle (Bel), Posession (Spa), 5 Day GetAway (Bel)

Sunday 20 August: As Friends Rust (USA), Walls Of Jericho (USA), Stigmata (USA), Length Of Time (Bel), Reveal (Nl), Standing Tall (USA), One Fine Day (Ita), Children Of Fall (Swe), Purification (Ita), Chispa (Ger), Inane (Ger), Course Of Action (Bel), Oil (Nl), Bobby Peru (Ger), Severance (Bel)

2000-08-18&19&20 rockstar badge

VV 2000-08-18&19&20 (book D) visiterAt least one critical visiter… “What are we all doing ???” ;-)

Some shots of the crowd & distro-stalls (source unknown):

2000-08 crowd2000-08 crowd'2000-08 crowd'''2000-08 crowd''2000-08-20 crowd (One Fine Day'''' -)

2000-08 distros2000-08 distros'

The ‘shit-workers’ in the shadow:

2000-08 kitchen-crew2000-08 catering

99-10-31 Catharsis - Liar - etc

This show was – again (see also 97-10-12 for ‘Catharsis’ first appearance here) – organised by Lieve Goemaere (Ugly Duckling zine)…

‘Catharsis’ (“starving artists in capitalist countries”) was an anarchist hardcore band from Greensboro, North Carolina, releasing their albums through the CrimethInc. collective. Their singer, Brian, was editor of the political hardcore punk fanzine Inside Front and later went on (with other ex-members of ‘Catharsis’) to form the band ‘Requiem’. Ernie Hayes (bass), Alexei (‘Rasputin’) D. Rodriguez (drums), Brian D. (vocals/guitar) were still in the band. Guitarist Dan(iel) Young had died so guitarist was Matt(hew) Miller (Who was the second guitar-player on that tour?). Wicked Witch recs did a split-LP (Live @ CBGB’s) with ‘Gehenna’ around ’98. The Samsara album was finished late ‘98, I think (with Matt Miller playing bass; and Dan Young taking care of the guitars – Jonathan Raine & Jimmy Chang are referenced for the tracks from the 7” that were include). The Passion album was recorded May ‘99 and Bernd Bohrmann put it our it on his label Scorched Earth Policy (’99).

99-10-31 Catharsis‘Catharsis’

‘Man In The Shadow’, from Solkan / Nova Gorica (Slovenia), played emotional and political HC (“anarcho-emo”). In ’97 they did a self-titled 7” on Dejan Pozegar’s Jay-Walk (label from Maribor) and in ’99 they put out the Pax Americana 7” (their 2nd, on their own Choose Life recs; later also a complete discography on CD). The band consisted of vocalist Marko & guitarist Miran Rusjan (later in ‘Analena’), Nenad Kostadinovski (drums) and Valter Cijan (bass). The brothers did 13.Brat zine…

Valter Cijan’s other band, ‘Entreat’, toured with ‘Man In The Shadow’. That year there was a CD out on Choose Life recs (the label of Miran Rusjan) – entitled City Of… – featuring ‘Entreat’, ‘Low Punch’, ‘Man In The Shadow’ and ‘Straightforward’. ‎The music of ‘Entreat’ was labeled emo-metal. They were: Patrik (vocals), Matjaz (guitar), Milos (guitar) Valter (bass; replaced by Peter) and Rok (drums; replaced by Samo).

The music of ‘Leiah’ (from Gävle, Sweden) was decribed as indie-rock/emo-punk (“clone of the ‘Get Up Kids’…”) by some, others called it pop-music. The band consisted of Annsofie Lundin (bass), Anders Gustavsson (drums; later Gunnar Forsman when Anders moved to bass), David Lehnberg (vocals/guitar) and Klas Joakim Eriksson (guitar; ex ‘Serene’). In 1999 they had 3 releases on Genet recs: a split-7” with (the Belgian) ‘Hebriana’, a 7” & CD entitled Mood Shifting Tones. They ‘d already played on the ‘Ieperfest’.

‘Convinced’ (from Karlstad, Sweden) were: Martin Magnusson (drums), Amir Tehrani (bass), Jessica Johansson-Jern (vocals), Joakim Johansson (guitar) and Johan Gärdt (guitar; replaced Christina ‘Kicki’ Sundqvist). Their early material had a hardcore edge to it and the late material is more heavy metal/hard-rock (references to ‘Iron Maiden’ & ‘Helloween’). They had done a demo (Believe In Yourself) in 1996. In 1999 they released two 7”s on Joakim’s label Words Of Wisdom recs (Silence & A Dream Of Reality.) The album Life Is My Enemy came out on Genet recs (who also did the The Carnival CD in 2000).

99-10-xx Convinced touring‘Convinced’

‘Man vs Humanity’ were Bastian Gaeng (vocals), Hilmar Demant (guitar), Jakob Rupprecht (guitar), Marc-Antonio Hartmann (drums) and Max Hebel (bass). That year they released a split-7” with ‘My Hero Died Today’ on Bernd Bohrmann’s label Scorched Earth Policy (1999) and the Anti Imperialist Culture Sound 7” on Paracelsius. Their music was grindy “extreme hardcore” with metal influences; often compared to ‘His Hero Is Gone’ and ‘Acme’. They did a bunch of shows with ‘Catharsis’ but not this one…

‘Lifecycle’, a ‘new-school’ HC band from the Ieper/Kortijk region (H8000 but not with that typical sound), had done their first gig the previous month. Here the line-up was: Sofie Vantomme (vocals; co-founder Vincent Merveillie soon went on to sing for ‘Spirit Of Youth’), Karel Deweerdt (guitar), Steve Noyelle (guitar), Jan Volckaert (drummer of ‘Resist The Pain’; was stand-in a few times for Jan Verhelst ex ‘Convict’) and Jurgen Degryse (bass; later replaced by Jelle ‘Jay D’ Dobbelaere). There were some more people involved (Steve explains below). Not really sure who did drums and bass here but Lieve Goemaere interviewed the band for her zine Ugly Duckling on 99-08-01; present there were Sofie, Steve, Karel, bassist Peter Leuwers bass & drummer Vincent Tetaert. The band did a demo (There Is Hope Again!; recorded by Michael Maes) and a mini-album (CD) Forever… Until… on SoberMind recs (’97; recorded in Labie’s 195 studio). When Sofie gave up SxE but still wanted to continue ‘Lifecycle’, Steve decided to quit the band… Because of that, the band split-up, they couldn’t continue without him…

Here’s a photo of ‘Liar’ with drummer Bert Guillemont and 2 young kids I didn’t recognise: Ward Dufraimont (ex ‘Firestone’; who kindly provided it) played bass here. He explains a bit of his ‘history’ below.

99-10-31 Liar (Ward Dufraimont)

That is ‘Liar’ on the photo, indeed. If you look carefully, you’ll notice that I play bass. U.J. couldn’t make it for one reason or another. I remember it was kind of a big deal, because it hardly ever happened; but he couldn’t/wouldn’t play… You also see Lennart [Bossu] on guitar. Out of sight is Hans [Verbeke; vocals] and Christophe Herreman on guitar. The night before I had already replaced Christophe for ‘Mainstrike’s last show (Goudvishal in Arnhem). So this was my second time. I was playing in ‘Firestone’ with Lennart; so that’s why. I did a few more replacements, like the second Deathrow Earth European tour in April 2000. Lennart had quit a few days before that tour. After the tour Matthias ‘Empathy’ [Halsberghe] joined and I went on with ‘Firestone’. That ended somewhere in May 2002 (when Lennart started to play for ‘Janez Detd.’) and I joined ‘Liar’ again for a European tour in the summer of 2002 because Christophe couldn’t make it. Halfway the tour Matthias was told to leave the band and I stayed until the last show in October 2006 (at first with Christophe and later with Matthias again). Lennart joined by the end of 1998 if I remember well: he was there during the recordings of Deathrow Earth but didn’t play a note because Joost wanted to take his last ‘Liar’ record completely in his own hands. Joost quit around May 1999 and Christophe (who was in ‘Aborted’) joined. On the pic I’m playing Jan Maelfait’s bass, thé legendary ‘Blindfold’ bass …

I can’t remember anything about the other bands, except for the handsome blonde of ‘Convinced’!

Ward Dufraimont

When I see pictures of us playing that show I see we were all dressed up in our PJ’s (costumes for Halloween). Ward D. was playing bass because UxJx did not want to play that show cause of the pyjama thing… Seems to me now the most obvious explanation. We then just went on with Ward on bass.

Bert Guillemont, ‘Liar’ drummer

At the gig at Vort’n Vis I was ex-member of ‘M.I.T.S.’ but my new band ‘Entreat’ toured together with ‘M.I.T.S.’. ‘Entreat’ was the opening band that night.

Valter Cijan (nowadays in ‘Hellcrawler’)

We never played at the V.V.! We played a few shows with ‘Catharsis’ but not here. We were asked later on but we broke up …

Jakob Rupprecht, guitarist ‘Man vs Humanity’

Indeed I don’t remember seeing ‘Man vs Humanity’ in 1999, though they are on the flyer. We did play in Aalter with them in December of 1998. I have some good shots from when we played Halloween 1999, let me get my stuff together and get back with you.

Ernie Hayes, ‘Catharsis’ bassist

I remember wishing we had planned some sort of Halloween thing. Like costumes or a few covers of a band or something. In general, I remember touring with ‘Convinced’ and the men in that band treating the woman singer so badly that she rode in our van many days. Not sure who organised the ‘Convinced’ tour. Maybe Patrick [Federli; Drive To Play], maybe Bruno [Genet recs], maybe us. Maybe some combination…

Matt Miller, ‘Catharsis’ guitarist

I wasn’t in ‘Catharsis’ during those years. I’d left the band to start the band that would become ‘Undying’.

James Chang

My perspective is that we’re both seeking similar goals in different ways… We could bicker for years about which one of us is more pure in our struggle against capitalism but that would be just plain dumb and a waste of our time…

Brian D.; personal communication Sep. ’99 [Brob: This is reference to my questioning their dealings with a commercial label here. To me that didn’t seem to accord with Brian’s anarchist ideology… Below is a pic of ‘Catharsis’ with my correspondent Eric Boehme (editor of After The Revolution; on the left) touring Europe in –supposedly- the summer of ‘98)]

Just a couple quick notes to get the historical details perfect… The Samsara album was recorded in spring 1997, not late 1998 – I think what was released in late 1998 was the vinyl version of it for the US. You know, we made GoodLife put Samsara out of print after that first pressing and never worked with them again. Basically, the whole thing was a result of not understanding the context of the Belgian hardcore scene until we got there. As you know, we were playing a DIY show set up by Lieve.

The photograph of us with Eric Boehme is indeed from our European tour in summer 1998. In fall 1999, on that tour in Europe (which was 3 months long), we had a second guitarist, Jon Ridenour, who was also the guitarist of ‘Zegota’, a band that later toured Europe themselves. The live photo is indeed from the 1999 show (you can tell because we have eyeliner on our faces for Halloween) but Jon and Alexei aren’t visible in it. We were probably at our best as a band with Jon – he was a very expressive guitarist, and balanced out Matt nicely. Today Jon lives in Stockholm.

I remember it being a really intense show. But my only actual clear memories from the night are of meeting ‘Man In The Shadow’. I had already been corresponding with Miran about his zine for some years. Their drummer struck me as one of the warmest, sweetest people I had ever met, and I remember he had a big, dreadlocked beard around his neck.

Brian D.

98-summer Catharsis, Europe (+ Eric Boehme)

This was kind of a Halloween show and I was dressed up in a sparkling, pink dress wearing a Belgian ribbon, as a Miss Belgium candidate (N° 8). It was the first time ever I was wearing high heels, terrible! ;-)

Lieve Goemaere

The gig went really well. I was kinda proud of myself. The Slovenian bands were really good; I was really impressed by ‘Man In The Shadow’. Better than I ever could’ve imagined.

Lieve Goemaere; personal communication Nov. ‘99

The performance of ‘Catharsis’ was very inspiring…

Bart De Geeter; personal communication Nov. ‘99

Halloween… Most bands were dressed up… ‘Convinced’ also played: glam-rock from Sweden, with female vocals. A bit like ‘Purusam’ but less technical.

About ‘Lifecycle’: After Jurgen Degryse had quit, he was replaced by Maarten Kinet (later played for ‘AmenRa’)… When he abandonned the ship we got Peter Leuwers… And after him there was Céline Delqueux and then Jelle Dobbelaere… Concerning drummers: when Jan Verhelst stopped, Vincent Tetaert [‘AmenRa’ guitarist] took his place… And when things got too busy for him (with ‘Firestone’), he quit ‘Lifecycle’… He was replaced by Tim Jult [‘Empathy’, ‘Liar’, ‘Congress’, …]. Yeah, we had ours share of drummers and bassists…

Steve Noyelle, ‘Lifecycle’ guitarist

The first time I played at the V.V. was actually ‘97 with ‘Serene’ and I visited for the first time in ‘96 when I drove ‘Separation’…

Klas Joakim Eriksson, ‘Leiah’ guitarist

I remember seeing ‘Entreat’ and ‘Man In The Shadow’ in Belgium (I drove with them home to Ljubljana)… Actually, all that I remember is that on the way from Ieper to Gent, the rented van went on fire, that is: the engine went on fire! Pretty scary but we were all fine.

Tea Hvala, Pssst zine

I was here at the V.V. with ‘Catharsis’. I did that entire 3 month tour back then, since we (Scorched Earth Policy) put out the vinyl that year. ‘M. Vs H.’ never played there, that’s correct. I recall that ‘Catharsis’ were in a desperate spot prior to the this tour, which would have been their 2nd European tour. As I recall, they had a loose agreement with the guys who worked on their first tour in 1997 (Pat Federli; if I am not mistaken). Apparently, they were not able to get that going. Having met the band two years earlier I was eager to help out. After I had gotten the ball rolling, Bernd Bohrmann and I have then starting booking the tour and also started talks regarding the vinyl version of ‘Catharsis’ Passion album.

Marc Hartmann (Scorched Earth Policy, ‘Man vs Humanity’ drummer)

The band ‘Convinced’ hasn’t been active for almost ten years so it’s easy to forget. However, we did a two week tour in Belgium/Germany with ‘Catharsis’ (US) in the fall of 1999 which took us to Ieper and the Vort’n Vis. I visited the Ieper hardcore fest both 1997 & 1998 (great festival and an awesome vibe) so I remember was excited to play the V.V. But honestly I don’t remember that much more from the show than the fact that it was Halloween and a lot of people in the audience wore costumes and/or make-up. I don’t think that the members in our band wore any costumes though. Probably because Halloween wasn’t a big thing in Sweden back then, so we hadn’t thought about it. I have some pictures somewhere in an album but unfortunately I can’t find them.

Myself & Jessica don’t think that Matt Miller is telling the truth about our tour. Jessica shared the van with ‘Catharsis’ becuse she didn’t want to spend all the time with her brother Joakim (guitar) and her father (who was our driver at the time). Fair enough!

Martin Magnusson, ‘Convinced’ drummmer

additions wellcome!…

99-08 Ieperfest (bill)(ieperfest.com)

‘Mörser’ (from Bremen, Germany) played unannounced (as did probably some more bands)…

This August fest was the 1st time outside the Vort’n Vis premises (start of a new era ?) so I guess that’s why it’s sometimes referred to as Ieperfest. I had already parted with the event a few years before (because of the commercialism, violence, homophobia, sexism, etc. – see 96-08). Below are a few impressions of people who attended…

Brob

>> The leading European hardcore festival, the Vort’n Vis Fest in Ieper had to move to a bigger location. The festival was no longer in the ‘big’ barn behind the Vort’n Vis venue but was now held on a school playground. It was open-air and I thought that was odd as hell. A hardcore show in open air. I think this was the beginning of the end of the, once cool, festival. A lot of poseurs had shown up already and in the years to come things would get worse. These days the festival is fucking stupid and most of the bands playing suck. In 1999 only a few cool bands would play. Things I still remember from the ‘99 Vort’n Vis Hardcore Festival is ‘H-Street’ playing and getting a massive response to covering ‘Token Entry’s The Edge (a song that was one of my favorites that summer), being handed Like An Arrow issue #1 by Erik Tilburg, ‘Bloodpact’ being boring as shit and ‘True Blue’ playing a weird show. […]

I think this was the first time I saw ‘True Blue’ live. I was looking forward to seeing them live, but I was a bit let down that I didn’t see 5 dudes in ‘Cro-Mags’ or ‘Chain’ shirts jumping around like idiots and being as straight-edge as can be. What I saw instead were two longhairs with rings playing guitar, drinking beer and smoking cigarettes, and a singer with unposi leg tattoos featuring skulls and post-apocalyptic scenes. I was a bit baffled at first but eventually stuck around and started enjoying the show. I think a lot Ieperfest attendees were a little let down by this sight and performance as well, because the playground emptied pretty much after two songs that sunny summer afternoon. it must have been the lack of political statements. This proofs again that ‘True Blue’ was far from a popular band. There were only a few dudes moshing and I might have done the same had I had a clue as how to mosh (to ‘True Blue’), but the only true moshers doing their thing were Mark Stroeken, Pieter SDC and Erik ‘Arrowman’ Tilburg, all three ‘True Blue’ Army. Mark was dancing like an asshole, like he always did, and probably still does, Tilburg brought his signature ultra-classic T. mosh and Pieter SDC was doing something between clumsy and cool. Other than that BXL Crew jerk Bayram was bashing some innocent bystander’s head in on the tunes of ‘God Of Wrath’ (PK mid-breakdown quote “Relax buddy” addressing some Bayram pit/pit-side beef, can still be heard from time to time during ‘Rise And Fall’ shows when some pit-shit hits the pit-fan) and I think Diamond Dave was just standing in the middle of the pit being hard. Other than that there was a big horseshoe in front of the stage. ‘True Blue’, the band that gets jocked so much and would get a huge pit-response these days, brought the greatest mosh-parts of Ieperfest 1999 and no one cared. Besides the ones I just mentioned. I remember seeing my (then soon to be) homeboy Bjorn Dossche (who was in mosh-tirement from 1997 till 2000) chilling on stage next to Jan ‘Blindfold’ behind some amps and thinking “If these dudes are checking out this band they must be cool.”. […] <<

Comment by anonymous: >> The Vort’n Vis Festival in 1999 took indeed place in a somewhat odd location, and it was the last time I visited the festival. I don’t remember all the bands. ‘Mainstrike’ were at their peak. ‘Ensign’ – whom everybody seems to have forgotten – played a crazy show with a huge circle-pit. ‘Bloodpact’ were originally not scheduled to play; I liked their set a lot at the time, they played a ‘Man Lifting Banner’ cover and I bought their split LP with ‘Varsity’. Not too sure, if I still like ‘Bloodpact’. Haven’t listened to them in many years. ‘As Friends Rust, ‘Get Up Kids’, ‘Mörser’, ‘Spirit 84’, ‘Liar’, ‘Arkangel’, ‘Reaching Forward’ and many other bands were playing; but most of those bands didn’t leave much of an impression. ‘H-Street’ were indeed playing as well: they played this curious mix of rock’n’roll and youth-crew. They were nice guys…not sure what they are up to nowadays.

If I remember correctly, ‘True Blue’ were not scheduled. They played in the early afternoon and virtually less than a dozen people were moshing; there was a big empty space in front of the stage. I was also surprised to see a long-haired metal guy on stage. I kinda liked their set, but – as you rightly said – it would have been a killer show if it would have taken place a few years later. At the time, very few people cared. When the 7” came out, I felt that it was a bit of a letdown; I have rarely listened to it. There was a peculiar aura surrounding that tape that could not be replicated. […] <<

lionsandcheetahs2011.blogspot (2011-05-14), by Bart De Duytsche (Crucial X Culture zine)

I made the trip to Ieper from Switzerland mostly to meet friends from around Europe and to possibly enjoy some music from the few good bands booked that year. The festival of the Vort’n Vis was like a punk Mecca, it really had a certain mythical appeal to it, although in reality the punk factor wasn’t shining terribly bright, with all these atrocious moshcore bands wearing Nike and Lacoste sweaters. I remember Christophe from Stonehenge/ ‘Fingerprint’ even boycotting that year’s edition and selling his records on the floor right outside the main entrance. The whole thing was very clean, very safe and overall not very exciting. Well, ‘Mörser’ from Bremen did play a surprise gig if I’m correct; that was fun. But I never came back.

Vincent de Roguin, Genève

I remember there were massive circle-pits during ‘Ensign’ :-)

Michael Kopijn, Groningen

Personally I think this was the last cool Ieper festival. Small bands still had the change to play there. Nowadays it sucks totally. I’ve been there two or three times after that but the old comradery is gone. It’s just a mere festival. ‘True Blue’ was really great, I bet people were shocked. They were ahead of their time. ‘Mainstrike’ rocked the show, I think they just came back from their American tour and it was their second to last show before they split up.

Peter Hoeren, Crucial Response recs

99-08-20&21&22 Ieperfest review (by Vincent de Roguin) 199-08-20&21&22 Ieperfest review (by Vincent de Roguin) 2review in the Swiss Evil zine (#2); courtesy of Vincent de Roguin

Photos courtesy of Vincent de Roguin:

99-08-20&21&22 Vincent & Joris Conspiracy (by Vincent de Roguin)Vincent ‘Vinnie’ Royers (‘Rubbish Heap’ guitarist), Joris De Buysser (Conspiracy recs) & Tom Verstraete

99-08-20&21&22 Jeroen Vrijhoef (by Vincent de Roguin)Jeroen ‘Beertje’ Vrijhoef (‘Mainstrike’ guitarist, Coalition recs)

99-08-20&21&22 Markus Haas Per Koro (by Vincent de Roguin)Markus Haas (Per Koro)

99-08-20&21&22 Marc Hartmann Scorched Earth (by Vincent de Roguin)Marc Hartmann (Scorched Earth Policy, ‘Man vs Humanity’ drummer)

99-08-20&21&22 Fabien Molaire Industries (by Vincent de Roguin)Fabien Thévenot (Molaire Industries, ‘Iscariote’ vocalist)

99-08-20&21&22 Sabeth (by Vincent de Roguin)‘Sabeth’; L=>R: Sebastian Busch (friend), Felix Böhlken (guitar/vocals), Thomas Hahn (guitar)

99-08-20&21&22 Some German guy (by Vincent de Roguin)attentive audience (L: Pedro Tallieu, ‘Instinct’ bassist)

99-08 Portugese Crust Vegan Edge Macrobiótico Rafael BrazunaPortugese crust vegan edge Rafael Brazuna, cooking macrobiotic in the old Vort’n Vis’ yard

The V.V. fest was outdoors for the first time and I couldn’t care less about most of the bands that played – a  shitload of sXe bands; just remember enjoying ‘Mörser’ & ‘John Holmes’. Still it was a nice trip with friends (Guilherme Charters, Afonso [Afonso Cortez Pinto; Freedom distro] and Hugo ‘Mosgo’ – the singer of ‘Simbiose’). The four of us drove from Lisbon to London by car to stay with some friends. We passed through Belgium for the fest and before that we stayed a couple of days at Jaak [ex ‘Nations On Fire drummer] ‘s house, which was fucking cool since he lived just above his health-food store, vegan paradise!

Rafael Brazuna

additions wellcome!…

(full posts with photos of some bands playing are planned…)

99-08-20: Hundred Years Of Forgetting (Bel), JR Ewing (Nor), Once Never Again (Bel), Surface (Ger) Hebriana (Bel), Tumult (Ger), Heaven Shall Burn (Ger), Discount (USA), Sad Origin (Bel), As Friends Rust (USA), Mainstrike (Nl), Hot Water Music (USA)

99-08-21: Ochtenddauw (Bel), H-Street (Öst), Stroke Of Grace (Bel), Redemption (Ita), Ananda (Fra), Sabeth (Ger), Product (Ita), Mörser (Ger), Reveal (Nl), Spineless (Bel), Bloodpact (USA), Thumbs Down (Bel), Pray Silent (Swi), Ensign (USA)

99-08-22: Instinct (Bel), Point Of Few (Nl), True Blue (Ger), Jane (Ger), Sunrise (Pol), Reaching Forward (Nl), Leiah (Swe), Vitality (Bel), John Holmes (UK), Facedown (Bel), The Get Up Kids (USA)