Posts Tagged ‘Hellcorn’

Michael ‘Link’ Maes & Inge Cappoen were listed as ‘shitworkers’ that day… Both of them were in ‘Link’ (guitar & vocals). They were locals so they acted as ‘surprise-act’… See also 97-09-12, 97-12-26 & 98-04-18.

‘Detestation’, an anarcho-punk/crust band (from Portland, Oregon), started in July 1995 with Kelly Halliburton (bass; ex ‘Resist’ [92-06-13], ‘Defiance’ [95-10-14], ‘Masskontrol’ [95-11-05], etc.), Ty Smith (drums; ex ‘Resist’), Adam (guitar) and Saira M. Huff (vocals). Later Andy joined to play the drums and Brian Hopper (also ‘Defiance’) guitar. They were supposed to tour in August-September 1996 but that didn’t happen because of mis-communication between the band and Martin Valasek (Malarie recs). On the 1998 tour (organised by Kelly) the band consisted of Saira, Kelly, Brian and drummer Dominic Nigro (later in ‘War Machine’ with Brian & Kelly).

There is a rare recording of ‘Detestation’ from a gig in Malmö, Sweden (98-09-21). Their set lasts for 29 minutes. It was bootleged by Punk Art Riot on tape… There’s also a live split-tape benefit for the Kopi squat in Berlin with ‘Detestation’ (recorded in Karlsruhe in 1998) and ‘6000 Crazy’ (with ex ‘So Much Hate’ vocalist Gunnar Nuven, recorded in Duisburg in 1998). That was done by Trująca Fala from Poland. The Europe 98 7” on Consensus Reality (Kelly’s own label) contained a live and a studio-recording on one side. It was meant to be a flexi-disc but the company who was supposed the press it, refused because of “blasphemy”.

Kelly – Saira – Dominic – Brian

In 1996 they’d put out (on Consensus Reality) the Unheard Cries tape and a 7” entitled The Inhuman Condition. A bunch more vinyl followed (mostly split’s; some on the A’dam label Wicked Witch recs ran by Edwin Feenstra). In ’98 Skuld releases & Profane Existence released the self-titled LP (recorded June ’97 with Andy) and a 7” called Blood Of The Gods (recorded June ’98 with Dominic)…

Nowadays Saira is a fashion-designer. She played bass in the shock punk band ‘Faggot’ and was in some others. Read this interview with Saira in MRR.

Since ‘Detestation’ did part of their tour with ‘Cress’ (from Lowton/Warrington, south of Wigan), I had the idea they played here too. But no… They played ‘K13’ squat in Ghent (98-10-22). Just to let you know what some missed: The band evolved out of the 80s punk band ‘The Deformed’. Members were: Adrian ‘Joe’ Oakes (vocals), David/Dave Bloor (bass), Nev Shaw (guitar), Pete(r) Bloor (guitar & vocals), Ste(ve) (keyboards & vocals. They used a drum-machine (Hal2000). Chris Kpa did lighting & tapes. ‘Sned’& Alec put some of their stuff out on Flat Earth recs: the Monuments LP (1997) and a split-10” with ‘Doom’ (1998; a benefit for the McLibel campaign). QQRYQ prods also put out a tape with the Polish ‘Post Regiment’ that year… And in August ’98 the band recorded for the From Violence To Consumerism 7” (released on Worried Sheep recs). There’s also a benefit-tape circulating with their demo-recordings and live material from a gig in Leuven (97-10-31).

‘Hellcorn’ (from Poperinge, near Ieper) were Noam Sohier (guitarist; ‘nowadays Netra’), Angelo Santy (drums), Tony Stamper (bass) & Nathan Floor (vocals)… They had been on a V.V. bill already (98-02-28) and also played on 98-04-18.

Brob

I don’t remember if ‘Detestation’ actually played there??? It was so long ago and that ‘98 tour was over 10 weeks long…. I would love to contribute but I can’t recollect the show, sadly (and I wasn’t drinking at the time!!! haha). I think I was just there for a show with ‘Masskontrol’ in ‘95…but maybe we did play there… I honestly don’t remember…

Saira M. Huff, ‘Detestation’ vocalist (also did Diminutive Rage zine)

I think another band, called ‘Link’, played as well that night, according to my records. I remember the gig, mostly because there was almost nobody there! It was totally empty and we were so bored that we actually played an extra set from our side band with our roadie, Frank, called ‘Final Massakre’. That was me playing drums, Hopper playing guitar, Frank singing and Saira playing bass. This was the last show of our 10 week tour in Europe (and the last show that ‘Detestation’ ever did…ever!), so we had a lot of fun just messing around and dancing to the bad disco music that someone put on. The next day Saira and I dropped off the rest of the guys (drummer Dominic + guitarist Brian) at the ferry in Calais to catch their flights home from London, while we went back to Germany. We were planning on traveling in Europe for the next six months but we ended up staying at Köpi squat in Berlin, ending our 5½ years relationship with each other, and I started a new life in Germany…but that’s a history and adventure story for another time! Ha, ha…

‘Cress’ didn’t play. We toured with them from October 12 until October 21, mainly Germany and the Czech Republic, but we took separate ways when we went to Italy/Greece and they went home to England.

Kelly Halliburton, ‘Detestation’ bassist

Yes, it was the last gig of a 10 week tour for ‘Detestation’. We got insanely tight despite our best efforts to play shitty. This one came a couple weeks after a 6 week tour of the US and Canada… Back to the Belgium show. I don’t remember much either: it was dusty ‘n dark, and I didn’t have my glasses. The set was flawless I’m sure.

Frank, Kelly & Saira all had these studded jackets. I remember Frank putting a studded coat on me and I drummed for what?… ‘Atrocious Madness’ or ‘Final Massacre’ or someone’s project. I just faked it. We were goofing around with people who wanted us to keep playing music. We played ‘Black Sabbath’ too. It was loose for some reason

I don’t remember it – being empty but goofy. There were folks but they were spread out. I remember the stage being loose and it was fun ‘cause it was our last show. The last one I wrote about in my journal was Torino, then we played Dijon then Ieper We were all happy to be going home but also extremely grateful for how nice folks were. I learned so much and passed it on. Started doin’ lots of political work after that, did an info-shop/venue that lasted for 14 years. Taught radical hers & history…

My friend [roadie?] Chris Friedman probably has video-footage…

Dominic Nigro, ‘Detestation’ drummer

Yeah… ‘Link’ also played… Unexpectedely… And we were very drunk… What I recall about this gig is that it took place in the ‘barn’. Not too many people but the sets were great. ‘Hellcorn’ played first; followed by ‘Detestation’. There was a high alcohol-consumption that night: by myself and others. And after they pushed us [‘Link’] on stage do play a set. I could hardly hold my guitar. And when that was over, there was an ‘after-party’ where ‘Detestation’s singer played a few tapes with 80s stuff and disco. Everyone was dancing and had fun. Even Kelly (bassist of ‘Detestation’) took a chance on the dance-floor. According to Saira it was the first time he did something like that…

Michael Maes, ‘Link’

additions wellcome!…

98-04-1819-fest

Another “Ceaceless Suffocation festival”… The next day (98-04-19) Infekcja (Pol), Sarah (Fra), Enough! (Pol), Cornucopia (Bel) & Muggles (Bel) were on the bill…

Was the fest organised by Wouter Biesemans (the intern who did 97-02-28&03-01 VV Doe-Wat dagen and can be seen on the photo, on the side of the stage)? Probably not… The poster refers to Michael Maes and the other ‘shitworkers’ that day were Jan Claus & Inge Cappoen.

In ‘Oi Polloi’ were – I thought probably the same line-up as a few months before, 97-12-26 – vocalist Deek Allan (of course) & Calum Mackenzie (bass) (which I recognise on the photo), and guitarist Ricky ‘Zodiac’ Olsen; the drummer is not Chris ‘Wheelchair’ Willsher (Ruptured Ambitions distro; also in ‘The Bus Station Loonies’) – as Calum suggests but Chris denies – so I’m guessing it’s ‘The Love Doctor’ Ade Crawford (ex ‘Satanic Malfunctions’).

98-04-18-oi-polloi-by-michael-m‘Oi Polloi’ (photo by Michael Maes)

Also a second show with the Scots for ‘Link’ in a few months time (97-12-26)… Michael Maes (guitar), Inge Cappoen (vocals), Greg ‘Briko’ (bass) and a ‘Juju’ Julien De Jonckheere (drums).

‘Concrete’, from Rome, had played the V.V. already on 95-08-19. They played aggressive, dark (post-)HC. They were: Cristiano D’Innocenti (drums; also ‘Comrades’, ‘Los Vaticanos’) a.k.a. ‘Capoccia’ or ‘Nerone 666’, ‘Orko’ Cristiano Fini (guitar; also ‘Comrades’), ‘Fucking Bastard’ Giorgio Gregorio ‘Greg’ Luciani (bass; also ‘Comrades’), Matteo Fadighenti (guitar) and Tommaso ‘Tommy’ Garavini (vocals; tommasogaravini.com). This was just a few months before they recorded the Nunc Scio Tenebris Lux CD (out on Paolo Petralia’s SOA recs). They already had a split-tape out with ‘With Love’, a self-titled 7” & the 10” Patior Ergo Sum (SOA recs; ’94), the Sescenti Sexaginta Sex 7” (on Nicola Olivieri’s Halley recs; ‘96) and a split-7” with ‘Antisgammo’…

‘Ulrike’s Dream’, from Leuven, started February ’97 when ‘Het Preekgestoelte’ split up but bassist-changes held them from gigging a lot. I think here they were: Anton Meeus (drums), vocalists ‘Sapé’ Sebastiaan Putseys (Reflex & Wolfpack recs) & Jeroen Verbeeck – later replaced by Magalie & Saar, Hans (guitar), Daan (guitar; nowadays in ‘The League of MentalMen’) and Erik (bass). They recorded a demo (Burn The European Swastika) a month before this gig and did a DIY 7” (If It Leads… It Bleeds) which was recorded by Bruno ‘Sloef’ Mastyn in July 2000. They played grindcore and sung political lyrics; some compared them with ‘Disaffect’ and early ‘Conflict’…

Some more history: “Somewhere in 1997/1998 Anton and Hans were looking for a new bass-player. They asked Erik to join ‘Ulrikes Dream’. Later Johan sung for a while. After three times or so, ‘Sapé’ and Jeroen came on vox. Daan joined the guitar-squad. We played a couple of gigs: some were brilliant, some were awful. Every band has these kinds of moments. We recorded our first demo-tape in 1998. It was called Burn, Burn, Burn the European Swastika!. The sound-quality wasn’t perfect but it had a cool booklet an it sounded grind. [raw and messy] It *had* to sound grind: it was recorded in a sixteenth century basement under a grotty punk-hole [Clockwork] full of drunks and drop-outs. It was great.”

Anton went on to play for ‘The Usual Suspects’ (anarcho ska-dub-reggae-punk; also with Hans) & ‘Cop On Fire’…

‘Hellcorn’ wasn’t announced on the poster but they were mentioned in the V.V. notes… They might’ve replaced ‘Hellkrusher’? They played their first gig at the V.V. a couple of months before (98-02-28). They was a local band (Poperinge) with guitarist Noam Sohier (nowadays in ‘Netra’), Angelo Santy on drums, Tony Stamper playing bass and Nathan Floor singing…

Brob

We didn’t make the all-dayer with ‘Oi Polloi’. The van broke down before we got out of Newcastle…

Scotty, ‘Hellkrusher’

‘Hellcorn’ replaced ‘Hellkrusher’, indeed…

Noam Sohier

I recall ‘Ulrike’s Dream’ played for 20-25 people (a lot of French crusties) because most didn’t have the money and it was early on a Sunday (I think) [18th was a Saturday…]. I remember that there was vanilla-flavoured soy-milk that we got into for a while. We just played the old V.V. this one time. I believe that we played with ‘Link’ on Sunday but it’s too long time ago. I do recall that ‘Link’ sounded like ‘Nausea’ at the time. It was also then that we got the appreciated proposal of Saar (R.I.P.) to come and sing for us.

Oh, and we definitely appreciated the french-fries place nearby that carried a variety of vegetarian products thanks to the V.V. visiters.

I also saw ‘Doom’ and ‘Oi Polloi’ play at the V.V. … most probably in 97 and/or 98. But I also missed some great bills, that’s for sure.

Anton Meeus

I especially remember the fanatstic sleeping-attic. And we befriended the ‘Concrete’ guys there. Erik Minnen [‘Cornucopia’] and myself travelled around with them on their following tour. Phil Merckx must’ve been there too at that festival.

I just had gotten into punk/HC and was often just impressed with the the scene; hanging around, meeting new people, laughing,… Sometimes gigs were just a side-issue to the social aspect.

‘Oi Polloi’ was a true dance-party. Always a good atmosphere, non-violent, ladies and gents together on the dance-floor. ‘Concrete’ was also a fantastic band.

Jeroen Verbeeck

Vague recollections about this a concert where ‘Sarah’ (playing bass with a fiddlestick!!!) played the next day… Great atmosphere in the old barn. ‘Disorder’-fans shouting “Fuck Your Nationality” at ‘Oi Polloi’ because they played a song about over the preservation of their celtic heritage. Polish distros sellig tapes and self-made patches. I also remember ‘Concrete’ playing solid metal-like screamo brachten. Took me a step closer to the DIY scene that is still dear to me…

Daan, ‘Ulrike’s Dream’ guitarist

‘Ulrike’s Dream’ is still alive and kicking. The band exists for 20 years in 2017. We recorded an LP – Anarchie In Leuven. Nowadays all our hits are sung in Dutch and when we used to play grindcore, it’s now more of a mix of punk, metal & crust. Our previous record Van 9 Tot 5 came out in 2011. That was still with Kim singing. Nowadays Hans does the vocals.

Hans & Anton gained their first experiences ever regarding the production of noise in ‘Het Preekgestoelte’ [pulpit]. After that they started ‘Ulrike’s Dream’. They also founded ‘The Usual Suspects’. And after that ‘Death Church’, a ‘Rudimentary Peni’ tribute-band. And I have been in ‘Les Baudouins Morts’ and the hiphop-sensation ‘Flahaut’. That covers our side-projects…

Erik, ‘Ulrike’s Dream’ bassist

From the UD20 blog: ‘Concrete’ had played @ JH Clockwork [Leuven] not long before. Some ‘U.D.’ members were big fans and played their 10 inch record on a daily basis. Jeroen had left ‘U.D.’ but he sang a couple of tunes so he could see the other bands for free. Mich came along to sing the ‘Dirt’-cover. People at the entrance noticed the large amount of singers ‘Ulrike’s Dream’ had and told them this was more than enough. The band played over the guitar-amp of Michael, ‘Link’s guitar-player; he was the organiser of this show and the sound-guy. It was the first show with a “big” amplifier. He warned that the guitar was way too loud. But of course the band was convinced that there was no such thing as “too loud” in punk-music. This turned out to be a mistake. The band just blamed the P.A. for the band-sound afterwards but learned from it. ‘Ulrike’s Dream’ line-up here was: ‘Sapé’ (vocals), Jeroen (vocals), Mich (guest-vocals), Hans (guitar), Erik (bass), Anton (drums)

There was a lot of pogoing going on during the ‘Oi Polloi’ set. ‘U.D.’-members demonstrated the art of silly dancing once again.

excerpts from the V.V. guestbook:

vv-98-04-18-book-c-concrete

vv-98-04-18-book-c-oi-polloi

additions wellcome!…