Introduction => 96-08-16&17&18 Hardcore, The Next Generation
Since I (Brob) was rather disgusted with and had commented on the increasing commercialism, violent/sexist/homophobic attitudes, I spent most of the time I was there (for my literature-distribution) talking to fellow “PC emo-morons who stop everyone from having a good time” (as mentioned in the Hate 8000 Zine) in the courtyard and therefore hardly saw any of the bands, I reprint a review I found on the internet:
>>The next day started with ‘Voices At The Front’. I didn’t really check them out but what I heard was heavy metal. ‘Kindred’ had a good sound and played OK heavy metal (à la 8000 crew). ‘Sektor’, another local band, played extreme death-metal, the audience was so stupid I left after 2 songs. ‘Saidiwas’ was probably the best band on the festival. Dog knows I dislike emo but they were damn good. (I’ld probably hate them on a record). Very young kids from Sweden playing American style poppy emo with lots of things to say between songs. No more tough guys here and the crowd was just wondeful, pogoing and slamdancing wildely. They were all so cute. Wonderful. Back to heavy metal with ‘Regression’ and their OK but boring brand of New York influenced music. ‘Timebomb’ were powerful but not as good as last year. They have great lyrics but it seems like they thought it was unnecassary to explain any of them on stage. ‘Burning Defeat’ were good too, very melodic and emotional, but the crowd took a long time to get into it and started dancing only on the 2 last songs. ‘Congress’: I liked the music as always, brutal death-metal, it was the kingdom of the bare-to-the-waist (tough) guys (singing along to choruses they didn’t even know what they were about). ‘Racial Abuse (Austria) were funny. I kind of enjoyed the music: modern HC, a drummer who’s only 12 years old is quite impressive. A lot of people were wondering how a band on Lost&Found ended up playing the V.V., and it was funny to see the Austrian crew making fun of them too! Last on were ‘Despair’. I totally loved their ultra powerful metallic HC, excellent sound-quality, but the audience ruined it all and I left in a bad mood…<<
The “H8000 Press” (‘Ringmaster’ Nicholas Malfeyt) highlights that Vik (‘VATF’ vocalist) spent more time in the crowd than on stage, ‘Kindred’ (‘Unbroken’-style SxE heroes) played a nice set, ‘Sektor’ started a fairly modest pit… “While I was outside, I heard the Swedish band ‘Saidiwas’ was playing with a naked – as in ‘no clothes’ – drummer. It was time for the emo-faggot brigade to spread their message of peace, love and animal sex. A friend told me the singer was talking about the day before and mentioned the ‘fucking windmill crew’… Imagine a feminine guy with eye-shadow (!!) saying that… Since these wimps obviously had a thing against violent dancing, we had the bright idea to start a bloody windmill-pit… All the emos were crying their hearts out up-front… When the ‘Saidiwas’ set was over, the drummer – still butt-naked – got from behind his kit and stood there shaking his john in front of the audience. Next thing you know, the singer was giving him a French kiss. [Brob: A case of macho insecurity, Ringmaster?] ‘Regression’ did a very brutal set; too bad their 2nd guitarist was there. ‘Timebomb’ rocked the stage. When ‘Congress’ played, the place exploded once again… I could hear bones breakin’, everything went almost as violent as the night before. A fantastic show with singalongs and pile-ups… ‘Despair’ got on stage way past midnight. They rocked… Before their final song the singer summoned everybody to do the ‘pizzamaker’…”<<
It wasn’t the first time at the Vort’n Vis for ‘Voices At The Front’ (96-05-12). Vik Bulik (vocals), Stefaan ‘Merel’ Merlevede [R.I.P.] (guitar), Vincent Theeten (guitar), Sim ‘Simtje’ Meersseman (bass) and Gaëtan Golvet (drums) were locals (from Poperinge).
‘Voices At The Front’ (pic taken by Steve Lammertyn)
‘Kindred’, the SxE outfit from Limburg (metallic style of HC, often compared with ‘Unbroken’) were here before too (96-05-12). The guys in the band were Jan Beckers (guitar) and Maarten Beckers (drums) – Jan had been in ‘Acoustic Grinder’ (read: 93-02-27), ‘Strength Of The Will’ (92-09-06, 93-09-19); later, ‘Enemy Of The Sun’, ‘Kabul Golf Club’) – Eric Sefton (vocals) & Walter Beckers (bass). Another pre-‘Kindred’-band was ‘Churn’ (95-08-20) feat. Jan, Maarten, Raf Gielen, Peter (ex ‘Acoustic Grinder’) and Raf ‘Thrasher’ Gelenne… I believe Raf Gielen still played 2nd guitar here. The recordings for the LP on GoodLife recs (File 01) were done in October ’96 without Raf. They would be playing again 97-08… A split with ‘Culture’ got out in ’97.
‘Kindred’ (photograped by Sarah Van de Mosselaer)
‘Sektor’ had played their 1st show at the V.V. a few months before (96-05-12). This vegetarian straight-edge metal-core band (from Beselare, near Ieper) was: ‘Lenny’ Wouter Cael (bass), Bert Guillemont (drums), Piet Cardoen (guitar), Vadim Vandekerckhove (guitar) and Jeroen Therry (vocals). They had done 2 7”s on Hans Verbeke’s Sober Mind recs: Ultimate Threat (1995) and a split with ‘Vitality’ (1996); later there was also a 12”/CD (Human Spots of Rust, ’97).
‘Sektor’ (photos 1-2-3 by Valerie Afschrift, 4 by Roel Brals)
‘Saidiwas’ was an “anarchist vegan straight-edge” band from Umeå in Sweden. “They got alot of attention because of their political lyrics and also because their drummer used to play naked.” In 1996 their first self-titled mCD was released By José Saxlund on his label Desperate Fight recs. “They made a big impression on the Belgian kids by refusing to play for a violent crowd.”, one can read on the www… I believe Anders Johansson played bass, Erik Åsell-Johansson hit the drums & sang, Philip Sundberg guitar, Peter Hellqvist guitar, and Michael/Mikael Berg was the vocalist. Sara Almgren (guitar; ex ‘Doughnuts’) also played for them later… “After that, they kicked their singer out, because (according to the rumours) he dropped sXe/veganism. Their former drummer switched to vocals, which left the band without a drummer for the recording of their debut full-length.” (All Punk Cons; released April ‘97, also on Desperate Fight recs. This was described as “art-punk” or “post-hardcore-new-wave-influenced-alternative-rock-with-occasional-emotional-ranting/yelling-but-oh-so-many-keyboard-and-piano-parts-core”.) I think Ludwig Dahlberg became their drummer later…
‘Saidiwas’, photographed by Patrick Federli (1), Sergi E. Costa (2), Philippe Tuffet (3) & Jean-Paul Frijns (4)
‘Regression’ (from Menen/Roeselare) played H8000 style, crunchy metallic (vegan) straight-edge HC: “Perhaps the most heaviest of all the ‘edge-metal’ bands: uncompromising death-metal mixed with straight-edge hardcore spirit.” Hans Verbeke wrote about them that they “created their own style of technical hardcore/metal with ‘Carcass’ and ‘Machinehead’ influences”; other people compared them with ‘Earth Crisis’. They were Bjorn Lescouhier (drums, ex ‘Shortsight’; replaced Raf -who was in ‘Liar’ too- around July 95), Kristof Taveirne (bass; nowadays in ‘Spoil Engine’), Niek Jacobsen (vocals) and ‘Stuutje’ David Decoutere (guitar). It was their second V.V. show (after 95-03-25) They had recorded a demo in ’95, then did the x-Heartless-x CD on GoodLife recs (‘96) and a split-CD with ‘Breach’ from Sweden followed (also GoodLife recs, ‘97). Early ‘96 they had taken ‘Lookmulle’ (Davy Vanlokeren of ‘Deformity’) as second guitarist but he didn’t play here… I read that later he was replaced by Laurent (who used to sing for ‘Deformity’).
‘Regression’ (shot by Sergi E Costa)
‘Timebomb’s second appearance at the V.V. (95-08) They were a Roman communist, vegan sXe band band playing metallic HC. The guys in the band: Cristiano Suriano (drums; later ‘Opposite Force’), Daniele Marini (guitar), Giorgio Fois (vocals; later replaced by Emiliano; also drummer of ‘Comrades’), Marco Ciccone (guitar; later also ‘Opposite Force’) and Simone Marini (bass; Kill For Love zine). In 1993 they did a demo and a 7” (Fury) released by SOA recs. Paolo Petralia also did their Hymns For A Decaying Empire CD (released January ‘96) and in 1998 The Full Wrath Of The Slave got out on Genet recs (last recordings with Giorgio). They also came back for the fest the next year…
‘Timebomb’ (photo by Sergi E. Costa)
‘Burning Defeat’, an emo-core band from Alessandria (Italy), had also played the V.V. already the year before (95-08-18). They were: Diego Cestino (vocals; also ‘Permanent Scar’), Alessandro ‘Alex’ Azzali (bass), Andrea ‘ics’ Ferraris (guitar; also ‘Permanent Scar’) and Umberto Fabbri (drums). ‘They had 2 realease on Green recs: Singlin’ Out The Aims 7” (‘94) & Seldom LP (‘96).
‘Burning Defeat’, pics by Patrick Federli (1) & Sergi E. Costa (2)
In 1996 GoodLife recs released ‘Congress’s LP The Other Cheek. 4 songs come from the 1993 demo (with Roy Cappan on vocals).
‘Congress’ (photos by Sergi E. Costa)
‘Racial Abuse’, an “edge-metal” band (which was compared to ‘Strife’, ‘Unbroken’ and ‘Side By Side’) from Olbendorf, Austria. They were: bassist Sancho Holper, drummer Pascal Holper, guitarist Jürgen Pallisch (he replaced Rainer Paul) and vocalist Aaron Tauss. In 1996 they did a demo (Influence) and 2 CDs (on Lost And Found recs: No Need & Climb). Their CD What Mirrors Conceal was released by GoodLife recs in 1997.
‘Racial Abuse’ – pics by Sergi E. Costa (1) & Sarah Van de Mosselaer (2-3-4)
‘Despair’ (Buffalo, NY) consisted of Brian Fligger (bass), Jesse(y) Muscato (drums; replaced Phil Popielski), Joe Garlipp (guitar), Matt Dente (guitar) and Scott Vogel (vocals). They played metallic mosch-core. There was a demo and a mini-CD (One Thousand Cries) out. That year (‘96) the CD Pattern Life was released on Josh Gabrelle’s Trustkill recs and the CD As We Bleed was recorded right before this tour (I think) with Brian, Jesse, Joe, Matt & Scott.
Brob
I was at the “Ieperfest” in ‘96 (and also in’97). I remember ‘96 very well indeed because it was such a special time, a great line-up and much fun for me and my travelling-party from Vienna. we were loads of people, all sleeping inside the Vort’n Vis too. I have quite a few photos: they’re all on film of course and but haven’t scanned them all yet, it’s a task to do all of that…
Daniel Eberharter, Eloquence zine (Vienna, Austria)
I have a zine with a ‘Saidiwas’ interview with a funny anecdote about windmillers spoiling their set…
Tijs Schelstraete
It was nice to see all these other Roman people (Paolo, Vegano, Venezuela, Simone, Daniele, Costanza, Cristiano, …) there.
Dario Adamic (in his zine Zips & Chains #10)
I wasn’t a part of ‘Saidiwas’ at that time. I played on the first EP and then they kicked me out! Erik Åsell was the drummer/singer… I’ve seen that their show at the “Ieperfest” was discussed on forums lately here in Sweden. But I don’t know… Mostly people who weren’t there, with their own theories. I remember it as a good show with some nude/male kissing controversy. Not that they (‘Saidiwas’) weren’t going to play because of a violent crowd, as the theories that are going around…
Axel Stattin, ‘Separation’ bassist
I was the drummer on the first 7” of ‘Despair’. I left the band before that tour.
Phil Popielski
I guess I was at this gig… The singer of ‘Timebomb’ was also the drummer for my band ‘Comrades’. He became a sort of nazi… To me he is a nazi. He always denied being one but effectively plays with the same band for the last 12 years and they’re all nazis playing only in their circle.
Paolo Patralia
excerpts from the V.V. guestbook:
additions wellcome!…