98-04-18 Oi Polloi – Concrete – [Hellkrusher] – Link – Ulrike’s Dream – Hellcorn

Posted: January 18, 2017 in VV 1998
Tags: , , , , , , , ,

98-04-1819-fest

Another “Ceaceless Suffocation festival”… The next day (98-04-19) Infekcja (Pol), Sarah (Fra), Enough! (Pol), Cornucopia (Bel) & Muggles (Bel) were on the bill…

Was the fest organised by Wouter Biesemans (the intern who did 97-02-28&03-01 VV Doe-Wat dagen and can be seen on the photo, on the side of the stage)? Probably not… The poster refers to Michael Maes and the other ‘shitworkers’ that day were Jan Claus & Inge Cappoen.

In ‘Oi Polloi’ were – I thought probably the same line-up as a few months before, 97-12-26 – vocalist Deek Allan (of course) & Calum Mackenzie (bass) (which I recognise on the photo), and guitarist Ricky ‘Zodiac’ Olsen; the drummer is not Chris ‘Wheelchair’ Willsher (Ruptured Ambitions distro; also in ‘The Bus Station Loonies’) – as Calum suggests but Chris denies – so I’m guessing it’s ‘The Love Doctor’ Ade Crawford (ex ‘Satanic Malfunctions’).

98-04-18-oi-polloi-by-michael-m‘Oi Polloi’ (photo by Michael Maes)

Also a second show with the Scots for ‘Link’ in a few months time (97-12-26)… Michael Maes (guitar), Inge Cappoen (vocals), Greg ‘Briko’ (bass) and a ‘Juju’ Julien De Jonckheere (drums).

‘Concrete’, from Rome, had played the V.V. already on 95-08-19. They played aggressive, dark (post-)HC. They were: Cristiano D’Innocenti (drums; also ‘Comrades’, ‘Los Vaticanos’) a.k.a. ‘Capoccia’ or ‘Nerone 666’, ‘Orko’ Cristiano Fini (guitar; also ‘Comrades’), ‘Fucking Bastard’ Giorgio Gregorio ‘Greg’ Luciani (bass; also ‘Comrades’), Matteo Fadighenti (guitar) and Tommaso ‘Tommy’ Garavini (vocals; tommasogaravini.com). This was just a few months before they recorded the Nunc Scio Tenebris Lux CD (out on Paolo Petralia’s SOA recs). They already had a split-tape out with ‘With Love’, a self-titled 7” & the 10” Patior Ergo Sum (SOA recs; ’94), the Sescenti Sexaginta Sex 7” (on Nicola Olivieri’s Halley recs; ‘96) and a split-7” with ‘Antisgammo’…

‘Ulrike’s Dream’, from Leuven, started February ’97 when ‘Het Preekgestoelte’ split up but bassist-changes held them from gigging a lot. I think here they were: Anton Meeus (drums), vocalists ‘Sapé’ Sebastiaan Putseys (Reflex & Wolfpack recs) & Jeroen Verbeeck – later replaced by Magalie & Saar, Hans (guitar), Daan (guitar; nowadays in ‘The League of MentalMen’) and Erik (bass). They recorded a demo (Burn The European Swastika) a month before this gig and did a DIY 7” (If It Leads… It Bleeds) which was recorded by Bruno ‘Sloef’ Mastyn in July 2000. They played grindcore and sung political lyrics; some compared them with ‘Disaffect’ and early ‘Conflict’…

Some more history: “Somewhere in 1997/1998 Anton and Hans were looking for a new bass-player. They asked Erik to join ‘Ulrikes Dream’. Later Johan sung for a while. After three times or so, ‘Sapé’ and Jeroen came on vox. Daan joined the guitar-squad. We played a couple of gigs: some were brilliant, some were awful. Every band has these kinds of moments. We recorded our first demo-tape in 1998. It was called Burn, Burn, Burn the European Swastika!. The sound-quality wasn’t perfect but it had a cool booklet an it sounded grind. [raw and messy] It *had* to sound grind: it was recorded in a sixteenth century basement under a grotty punk-hole [Clockwork] full of drunks and drop-outs. It was great.”

Anton went on to play for ‘The Usual Suspects’ (anarcho ska-dub-reggae-punk; also with Hans) & ‘Cop On Fire’…

‘Hellcorn’ wasn’t announced on the poster but they were mentioned in the V.V. notes… They might’ve replaced ‘Hellkrusher’? They played their first gig at the V.V. a couple of months before (98-02-28). They was a local band (Poperinge) with guitarist Noam Sohier (nowadays in ‘Netra’), Angelo Santy on drums, Tony Stamper playing bass and Nathan Floor singing…

Brob

We didn’t make the all-dayer with ‘Oi Polloi’. The van broke down before we got out of Newcastle…

Scotty, ‘Hellkrusher’

‘Hellcorn’ replaced ‘Hellkrusher’, indeed…

Noam Sohier

I recall ‘Ulrike’s Dream’ played for 20-25 people (a lot of French crusties) because most didn’t have the money and it was early on a Sunday (I think) [18th was a Saturday…]. I remember that there was vanilla-flavoured soy-milk that we got into for a while. We just played the old V.V. this one time. I believe that we played with ‘Link’ on Sunday but it’s too long time ago. I do recall that ‘Link’ sounded like ‘Nausea’ at the time. It was also then that we got the appreciated proposal of Saar (R.I.P.) to come and sing for us.

Oh, and we definitely appreciated the french-fries place nearby that carried a variety of vegetarian products thanks to the V.V. visiters.

I also saw ‘Doom’ and ‘Oi Polloi’ play at the V.V. … most probably in 97 and/or 98. But I also missed some great bills, that’s for sure.

Anton Meeus

I especially remember the fanatstic sleeping-attic. And we befriended the ‘Concrete’ guys there. Erik Minnen [‘Cornucopia’] and myself travelled around with them on their following tour. Phil Merckx must’ve been there too at that festival.

I just had gotten into punk/HC and was often just impressed with the the scene; hanging around, meeting new people, laughing,… Sometimes gigs were just a side-issue to the social aspect.

‘Oi Polloi’ was a true dance-party. Always a good atmosphere, non-violent, ladies and gents together on the dance-floor. ‘Concrete’ was also a fantastic band.

Jeroen Verbeeck

Vague recollections about this a concert where ‘Sarah’ (playing bass with a fiddlestick!!!) played the next day… Great atmosphere in the old barn. ‘Disorder’-fans shouting “Fuck Your Nationality” at ‘Oi Polloi’ because they played a song about over the preservation of their celtic heritage. Polish distros sellig tapes and self-made patches. I also remember ‘Concrete’ playing solid metal-like screamo brachten. Took me a step closer to the DIY scene that is still dear to me…

Daan, ‘Ulrike’s Dream’ guitarist

‘Ulrike’s Dream’ is still alive and kicking. The band exists for 20 years in 2017. We recorded an LP – Anarchie In Leuven. Nowadays all our hits are sung in Dutch and when we used to play grindcore, it’s now more of a mix of punk, metal & crust. Our previous record Van 9 Tot 5 came out in 2011. That was still with Kim singing. Nowadays Hans does the vocals.

Hans & Anton gained their first experiences ever regarding the production of noise in ‘Het Preekgestoelte’ [pulpit]. After that they started ‘Ulrike’s Dream’. They also founded ‘The Usual Suspects’. And after that ‘Death Church’, a ‘Rudimentary Peni’ tribute-band. And I have been in ‘Les Baudouins Morts’ and the hiphop-sensation ‘Flahaut’. That covers our side-projects…

Erik, ‘Ulrike’s Dream’ bassist

From the UD20 blog: ‘Concrete’ had played @ JH Clockwork [Leuven] not long before. Some ‘U.D.’ members were big fans and played their 10 inch record on a daily basis. Jeroen had left ‘U.D.’ but he sang a couple of tunes so he could see the other bands for free. Mich came along to sing the ‘Dirt’-cover. People at the entrance noticed the large amount of singers ‘Ulrike’s Dream’ had and told them this was more than enough. The band played over the guitar-amp of Michael, ‘Link’s guitar-player; he was the organiser of this show and the sound-guy. It was the first show with a “big” amplifier. He warned that the guitar was way too loud. But of course the band was convinced that there was no such thing as “too loud” in punk-music. This turned out to be a mistake. The band just blamed the P.A. for the band-sound afterwards but learned from it. ‘Ulrike’s Dream’ line-up here was: ‘Sapé’ (vocals), Jeroen (vocals), Mich (guest-vocals), Hans (guitar), Erik (bass), Anton (drums)

There was a lot of pogoing going on during the ‘Oi Polloi’ set. ‘U.D.’-members demonstrated the art of silly dancing once again.

excerpts from the V.V. guestbook:

vv-98-04-18-book-c-concrete

vv-98-04-18-book-c-oi-polloi

additions wellcome!…

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Comments
  1. Anton M. says:

    ‘Ulrike’s Dream’ also had Fons Wannes as singer between 2002-2005. Every gig with him there would be one song where we either tried to pull down his pants as a band or dropped all instruments and did a surprise pile-up on the guy. I have fond memories of ‘U.D.’ being a genuinely aggressive political band who even sold a demo-tape to the B.O.B. [special police-forces] (who were interested in it for evidence) as well as being totally unpracticed nutters who cared more about wearing the right clowns-nose to go with their sombrero then to actually learn how to play. Since I left, the band actually became tight as hell.

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