Intro: 94-08-19&20&21 Hardcore Festival
see also: 94-08-19&20&21 Hardcore Festival * Italian impressions
‘Fabric’ was a (post-)hardcore band from Brighton/London that we all got to know through Vique ‘Simba’ Martin (and/or Françoise ‘Hazel’ Lepers & Jeroen Lauwers)… Another great thing she introduced us to. ‘Fabric’ would also play on 95-01-29 (and 95-01-28 @ the ‘Arsenaal’ in Marke) when Jeroen Lauwers wanted to present their EP out on his label Machination recs; but this was their first gig on Belgian soil. ‘Fabric’ was Andrew/Andy Hartwell (vocals), Anthony/Tony Sylvester (bass; ex ‘Ordinary Eye’), James ‘Jamie’ Tilley (guitar; ex ‘Long Cold Stare’), Chris(topher) Turner (drums; nowadays in ‘Orange Goblin’) and Kevin Williams (guitar; he’s on photo so he had joined the band already by then). At the time of this fest they had done a demo (that also contained a cover of ‘Heresy’s song Genocide) and released (a bunch of 7”s (e.g. Colossus, Saturnalia, Dislocations) – on their own label (Whole Car recs) and/or Doghouse recs. Not sure if the Body Of Water LP was out then…
‘Fabric’ photos by Patrick Federli (1 & 2) and Albert Cheong (3) [Nick Royles bottom pic R]
Dennis of ‘Refused’ had been sending me their (second) demo plus a note asking for concerts the year before and they ended up playing in Kortrijk. They were an sXe band from Umeå. Their first tape was with Dennis Lyxzén (vocals), David Sandström (drums), Pär Hansson (guitar) and Jonas Lindgren (bass). Jonas left and was replaced by Magnus Björklund in August 1992. They also added a second guitarist – Henrik Jansson (of ‘Step Forward’). The new tape (Operation Headfirst; that Dennis sent me) was released by the end of ‘92. In ’93 they’d recorded the EP This Is The New Deal, an LP entitled This Just Might Be… …The Truth and the CD Pump The Brakes. The Everlasting 12” was registred in July ’94 with Dennis, David, Magnus, Pär and guitarist Kristofer Steen. Pär left after the recording… Magnus and Henrik were doing their military service. They took Jesper Sundberg as bass-player…
‘Refused’; photographed by Fred Falzon
‘Abhinanda’ photographed by Massimo Moscarelli (1 & 2) [René Natzel (‘Spawn’) behind the band] and Jean-Paul Frijns (3)
Also José of ‘Abhinanda’ had provided me a tape of his band, inquiring for gigs… They were on their 1st Euro tour (we’d seen them at Nieuwland in Herentals 94-08-14; and later played they at the V.V. 95-08-19 & 97-08), also came from Umeå. José Saxlund, their vocalist, was running the label Desperate Fight recs, which released most of their early recordings): Darkness Of Ignorance EP (‘93), Senseless LP (’94; recorded a month before this), Neverending Well Of Bliss EP (’95), Abhinanda (’96), etc. The others were Jonas Lyxzén (drums; later replaced by Daniel Berglund; played also in ‘Separation’, ‘Demon System 13’, etc.), Adam Nilsson (guitar), Kris(tofer) ‘Stone’ Steen (guitar; also ‘Refused’; later replaced by Pär Hansson) and Mattias ‘Abris’ Abrahamsson (bass). They were one of the first Swedish sXe hardcore bands. The members were good friends with the band ‘Refused’ (they did a few shows in Norway together, earlier that year).
‘Backdraft’ played moshy sXe HC. They were: Rob Franssen (vocals) & Illona Stephan (guitar) – both also in ‘Feeding The Fire’ – and Marc Vleugels (drums), Kay Roderburg (bass) & Luc Vleugels (guitar). The Stream… 7” must’ve been out on Crucial Response recs. Peter Hoeren was there bringing that along, I believe. I think they’d also been recording already for their CD (The End)…
‘Backdraft’ photos by Massimo Moscarelli (1, 2 & 3) [Vik B. (1 – R)] and ? (4) [Saskia Verbeke (‘Shortsight’) behind the band / bottom pic L José Saxlund (‘Abhinanda’) & Chris van Dornick (‘Spawn’)]
The next months (Sep-Oct) ‘Blindfold’ recorded (@ Midas studio) for the World Of Fools 7” (in the original line-up). It was released on Jeroen ‘Goofy’ Lauwers’ Machination recs in ‘95. Hans reminds me that it was available on green vinyl only at a local show (94-12-23 at the Pits in Kortrijk). Also some recordings for the Astreroid 164 LP were started here but that one was only mixed in ’95 to be released in ’96 (by SoberMind and GoodLife recs).
‘Blindfold’ shots by Massimo Moscarelli (1) and Albert Cheong (2)
I believe this was the last time ‘Shortsight’ played at the Vort’n Vis. (Their very last concert ever was in November 1994, in Poperinge.) They just finished the recordings for the Cold Wounds Waking CD (at Midas Studios, July 1994). Drummer Björn Lescouhier would move on to ‘Regression’ (nowadays he plays for ‘Smoking General’). Guitarist David Dumont and Saskia’s relation finished in ‘95 and after finishing his studies he became a backliner/roadie for several (commercial) bands (‘Goose’, ‘Das Pop’ and Flip Kowlier, etc.) and later played for ‘Waldorf’ & ‘Drums Are For Parades’ (all mainstream bands). He’s also into “electronica” and vintage synthesizers. Bassist Kurt Deprez lives/works in Indonesia and singer Saskia Verbeke withdrew from the scene…
‘Shortsight’ or ‘Blindfold’? (pic by Miguel Angel Lorca) [yours truly with the AK Press sweater]
‘Acme’ from Bremen played metal-core with ‘screamo’ vocals with references to ‘Born Against’ & ‘Rorschach’; Heavy stuff! Hannes Stang did the vocals, Gregor Iwanoff drummed, Sönke ‘Sonne’ Gabriel played bass (he also hit the drums for ‘Systral’ & ‘Carol’, later he was also in ‘Mörser’ for a while) and Sven Thora was the guitarist. They had been here already on 94-04-09, a day after Jeroen of Machination recs did a show for them in his hometown. We also were able to see them perform in Herentals (94-07-22). Even though they always left a big impression, they didn’t leave a lot of ‘traces’ (unfortunately). Jeroen Lauwers (‘Nations On Fire’s bassist) released their only 7” (referred to as The Demo) in ‘94. There was a ‘post-mortem’ discography (with some extra tracks from compilations) later on…
‘Nothing Left To Grasp’, an emo band from Augsburg, were: Marco Walzel (guitar; he ran Join The Team Player recs, owns and operates Avocado Booking), Simon Czermak (drums), Ralf Bamberger (vocals), Nina Hille (bass) and Markus Hofko (guitar). After their initial demo, they did 2 7”s: The Monotonous Beat Of Nothing New (Emotion X recs ‘94) and a split with ‘Kassiopeia’ (95; on Christian Mix-Linzer’s Outlet recs). They would be invited back the next year (95-07-02)…
Vique Martin had become the zine-queen and heroine of many. We’d been writing and I think we’d met the 1st somewhere in spring ’94. Talking to her showed she’s a damn intelligent woman; the kind of person that can influence a whole bunch of people (in a positive way)…
Brob
I was staying at Hans’ house… ‘Macca’ [Mark Wilkinson] was there, Edward demanded a lot of my attention… When the ‘Fabric’ kids arrived, I was with them all of Saturday night. I was also absorbed with Marco [Walzel] & the Americans (Sherry [Beth Sacks; see picture in the intro] & ‘Iconoclast’)…all good friends. There were many kids I left feeling I didn’t talk to ‘properly’; Kurt for one, a friend from France, Olivier for another. I had a fucking fabulous time, didn’t want to talk about negative things (consumerism, etc.) I didn’t want to be ‘brought down’. I wanted to stay on the high of being with friends, seeing bands and being really happy.
Vique Martin, Simba zine, personal communication Sep ’94 [This was a response on a column that I, Brob, did on the fest…]
I remember having a great time, we were treated well and well received from what I can recall. The place was full, kids standing on top of stuff to see the stage. Cool stalls set up, good vibe. It was hot as fuck too, I remember that much. I’m sure I was asked to lend my cymbals to ‘Acme’. Hadn’t seen/heard them before at that time. When they started I thought the dude was going to destroy them. Terrifying and awesome at the same time. Didn’t people also sleep over there? I have a memory of the gig finishing, and then people throwing sleeping-bags everywhere they could and crashing; it was nuts.
Christopher Turner, ‘Fabric’s drummer
‘Fabric’ chillin’ in Ypres (photo by Vique Martin); L=>R: Jamie-Kevin-Andy-Chris-Tony
I can’t believe there was so many bands! Have been racking my brains trying to remember stuff but I’m coming up vague… It’s 20 years ago! I remember I had a cool ‘Parliament’ shirt. The food was great and we did a lot of hanging out with all kinds of people, was fun times to be in Europe. We were at the festival the whole weekend but we did stay with someone… I still do music, just my own one man band (soundcloud.com/dootraanougat); I play the drums, the gits, the whole shabang!
James Tilley, one of ‘Fabric’s guitarists
I know that we where on our first Europena tour ever. We played Germany, Belgium and The Netherlands. The Senseless album was released just before the tour and we sold alot of CDs at the festival. From what I recall we stayed there the whole weekend, played some soccer (we were the unbeatable Swedes!!) and watched a lot of bands. I think I even made a guest-apperence with ‘Refused’ and sung some silly Swedish rap (not sure though!). As it was our first time we got to know alot of people and made a lot of new friends. I discovered bands such as ‘Spawn’, ‘Blindfold’, etc.
José Saxlund, ‘Abhinanda’ vocalist
There’s a ‘black hole’ in my memory for Friday and Sunday (2 nights of no sleep). I think the UK bands played on Friday, and Sunday ‘Iconoclast’, ‘Undone’ & ‘Vanilla’. [???] On Saturday ‘Refused’ did a semi acoustic set, ‘Fabric’ played their first show outside the UK, ‘Acme’ probably their last ever. ‘Iconoclast’ was another US band that had actually already split but toured to get a free European tourist-trip (same as ‘Downfall’, ‘Merel’, … during that period). For me personally this day was the best ever at the V.V.: no bullshit, good atmosphere… I’m certain that everybody knew everybody that day. It also was the last time the fest took place in the pub. The next year it was in the ‘barn’ in the back and there were loads more people. I also attended in ‘96 or ‘97 and that was totaly shit, with 2/3 of the bands being metal-core ‘Congress’ clones an the rest playing uninspired emo-core. Then there was a huge crowd but you knew nobody and most had no idea about hardcore/punk before GoodLife recs. Most had never heard about the ‘Dead Kennedys’ or ‘Zyklome-A’ according to me…
Jeroen Lauwers
I remember our first European tour and our first Vort’n Vis gig quite well. We recorded Senseless in the spring of ´94 and in August we rented a van and drove the long way from Umeå down to play HC in Europe. To afford the trip we brought Sara Almgren [‘Doughnuts’ guitarist; see guestbook-entry] and Jonas Lyxzén’s girlfriend Jenny along (they contributed with gas-money, great spirits and helped selling merchandise). On our way South we stopped in Stockholm and the record-store Sound Pollution (with which Desperate Fight and Birdnest [Swedish punk label formed in 1980 and run by Per Granberg] collaborated with for distribution) to pick up a few boxes of our newly pressed album which none of us had seen prior to that. Excited we set off to Hultsfred (12-14 of August), Sweden’s biggest music festival at the time, where our friends ‘Refused’ were to play. Since we could only stay for one day (and didn’t have the cash to pay for the entrance); me, Adam and José gate-crashed the festival by pretending to have bracelets to be able to see the ‘Refused’ show, worked like a charm. I remember that we gave the guys in ‘Refused’ a copy of Senseless and they seemed a bit shocked when they could hear the massive improvement between Darkness of Ignorance and the new album. The contributions and musical influences Kristofer Steen brought with him to ‘Abhinanda’ had really upped our ability and musicality.
José had set up the tour so we didn’t really know what to expect but we drove South and played a couple of decent shows in some punk-squats in Holland. On the 19th of august we arrived in Ieper and we were greeted by some truly amazing people (Bruno and Edward) who took the time to show us around. The first night we slept in the loft assigned for the bands but then decided to sleep on some of the grassy spots around the city, running naked around the cemetery and a church became a regular routine.
At the time vegetarianism hadn’t really taken off in Sweden so we were really impressed with all the vegan alternatives Belgium could offer. On the 20th we were supposed to play and we received a meal-coupon for a fantastic vegan meal that we all appreciated (having only eaten punk-stew and chips for the last week). The atmosphere at Vort’n Vis was amazing, everybody seemed very supportive and though the ’94 festival was quite small it was quite big for us, since we hadn’t really played any HC festivals earlier.
‘Refused’ arrived quite late on the 20th (if I remember correctly), just in time to see our show. They were probably the only ones who had heard the new material. But it seemed like the audience had heard a rumor regarding the new album because the small venue was packed with people when we entered the stage. I remember that we wanted to start the gig with something different (as many of the bands we heard played a quite generic version of HC), we wanted to stick out. And for some reason I had the idea to play Bulletproof Poet by Dogs D’amour in a semi-acoustic fashion. Still don’t remember why but I did and the crowd cheered on and gave the start of the show a real boost in energy. The show was amazing, a milestone for us, the first really awesome show in Europe with one of the best crowds in my life. I think a real starting-point for us and Desperate Fight. That show made the word of mouth spread about the new album and the intensity of our live shows all across Europe. Hardline was a big thing at the time but our new song Competition In Hatred that opposes it was really appreciated, we had the ‘Refused’ guys on back-ups on that one, easy to sing along to…
Later at night ‘Abhinanda’ and the other Swedes got a guided tour of the Ieper (by Edward and some other guys). I remember David Sandström reading a book about WWI and the battles in the trenches in Europe at the time. And finding some names off the memorial arches that contained names from the book, crazy coincidences like that happen often on tour. The next day we enjoyed playing football and all the other bands. I remember another band borrowing the 5150 head we had borrowed from Pär Hansson [guitarist of ‘Refused’] and blew a fuse so we had to drive around in order to search for a store that could replace it so that we’d have something to play on. Big hassle back then without internet, GPS, etc.
After the festival I remember Edward setting up an extra gig in order to help us out with money for gas. Fantastic how the HC-scene can help you out! The rest of the tour we played with a self esteem and energy that the festival had given us. Thanks again for a fantastic festival. August of ’94 still has that extra place in my heart and Vort’n Vis especially.
Mattias Abrahamsson, ‘Abhinanda’ bassist
‘Abhinanda’ soccer-team (in Herentals, Belgium), by Jean-Paul Frijns
We only played Ieper once and it was a pretty wild. We had a good time. I remember that all the punks were really sceptical about us since we showed up wearing new shirts but the show was great. Really sweaty and intense!
Dennis Lyxzén, ‘Refused’ vocalist
I thought ‘Kassiopeia’ played there as well with us, at least I remember them being there… Claudius Gagalka was with us most of the time; he might have some photos…
Markus Hofko, ‘Nothing Left To Grasp’ guitarist
I do remember that show. I was there. But I never played guitar for ‘Acme’, that was Sven Thora. I was the singer of ‘Abyss’…
Sven von Thülen
Volker [Pohlschmidt] and me were just one time in Ieper for this one: we saw ‘Abhinanda’, ‘Backdraft’ and so on.
Stefan Uhe, ‘Steadfast’ guitarist
excerpts from the V.V. guestbook:
additions wellcome!…